Drew Associates

During a two-day period before and after the University of Alabama integration crisis, the film uses five camera crews to follow President John F. Kennedy, attorney general Robert F. Kennedy, Alabama governor George Wallace, deputy attorney general Nicholas Katzenbach and the students Vivian Malone and James Hood. As Wallace has promised to personally block the two black students from enrolling in the university, the JFK administration discusses the best way to react to it, without rousing the crowd or making Wallace a martyr for the segregationist cause. Preserved by the Academy Film Archive in partnership with The Film Foundation in 1999.

Primary is a documentary film about the primary elections between John F. Kennedy and Hubert Humphrey in 1960. Primary is the first documentary to use light equipment in order to follow their subjects in a more intimate filmmaking style. This unconventional way of filming created a new look for documentary films where the camera’s lens was right in the middle of what ever drama was occurring. Preserved by the Academy Film Archive in partnership with The Film Foundation in 1998.

A look at the daily business of U.S. President John F. Kennedy, with a focus on some of the political issues he faces six weeks into his term. Preserved by the Academy Film Archive in 2007.

Robert Drew shows the sights and sounds from the funeral of President John F. Kennedy in November, 1963. Preserved by the Academy Film Archive in 2002.

Bringing to life an American President who was widely respected by his countrymen and celebrated around the world. Composed from four break through films by Robert Drew, each an unprecedented record in candid photography of a phase of John F. Kennedy’s political life. Kennedy is seen in close up from young Senator campaigning for the Presidency, to an ebullient new President moving into the White House, to a burdened President trying to solve grave problems in the Oval Office. The shock of his death is seen through the faces of his compatriots. Now these four films are edited together with other footage of the time. This film is an intimate history of how one American President struggled to bring wisdom and honor to the office of the Presidency.

After the US forces Cuba out of the OAS, demonstrations erupt in Venezuela. In Cuba Castro addresses a rally of one million people.

Follows a crusading lawyer as he embarks on a campaign to save an African-American man, Paul Crump, from the electric chair. Preserved by the Academy Film Archive in partnership with The Film Foundation in 2007.

Documentary focusing on 25 year-old actress Jane Fonda as she and her director Andreas Voutsinas prepare a stage play called The Fun Couple for Broadway.

Documentary portrait of the legendary jazz bandleader. Preserved by the Academy Film Archive in partnership with The Film Foundation in 2000.

Backstage with Franco Zeffirelli and Rudolph Bing as multiple mechanical difficulties snag rehearsals. Marc Chagall stops by only to see that his giant murals were not hung the way he intended in the lobby. Leontyne Price is engaging as she prepares for her commanding starring role in Barber’s “Antony and Cleopatra.”

Orson Welles — with contributions from scientists George Wald, Carl Sagan, and others — examines the possibility and implications of extraterrestrial life. In examining our perceptions of alien 'martians' from his "War of the Worlds" broadcast, to then-modern explorations of Mars, this film from NASA provides a unique glimpse at life on earth, and elsewhere in the universe.

The documentary traces Eddie Sachs (one of the most popular drivers in the history of the Indianapolis 500) in a behind-the-scenes look at the race from his perspective, starting from a week before the race through the day after the big event. You can feel the fervor and anticipation build (*pay close attention to the scaffolding that collapses with too many people on it during the race) as Eddie prepares to keep his place, "on the pole." Preserved by the Academy Film Archive in 2010.

In 1960, Robert Drew founded his production company Drew Associates; joining him were a number of well-known or soon-to-be well-known documentary filmmakers including Richard Leacock, Albert Maysles and D.A. Pennebaker. Between 1960-63, Drew Associates produced 17 documentary films for television. Aga Khan was part of a 12-film subset of these known as The Living Camera, which were funded by Time and broadcast in syndication around the country. It shows the young Prince Karim at a time when he recently took over as spiritual leader of his Ismaili Muslim community. The film follows him to Switzerland, France and Africa as he steps out of the shadows to lead as the hereditary Imam.

A harrowing portrait of the struggle for school desegregation in New Orleans against the violent protests of white parents.

Susan Starr is a talented young concert pianist preparing for the biggest competition of her life. She also happens to have a terrible cold that keeps her in bed and an omnipresent mother. Battling against 34 of the most talented pianists in the world at the Metropolitan Opera House in New York, Susan hopes to win not only prize money in the Dimitri Mitropoulos International Piano Competition, but also the recognition that could launch the musical career for which she has been working since she was three years old. Following Susan through the hectic days leading up to the event and through the competition itself, the film captures the intense reality of an aspiring young artist facing the challenge of her life.

The doc brings us back to a 1961 football game played in front of 40,000 people at the Orange Bowl. A high school football game, pitting Miami High against their rivals from Edison High. The title refers to the coaches of each, and the film follows them separately, with their real families and their clan of players, in the days leading up to the big event. And then at last it astonishingly chronicles the game from all kinds of angles you wouldn’t expect from even the newly mobile tools of the Drew crew. Today’s television coverage doesn’t come nearly as close to capturing the spirit of the sport and its fans the way Lipscomb does here. (Nothing But the Doc)

Flying hundreds of miles a day through wild weather with no engine requires feats of airmanship unprecedented in human history and known before only to the birds. George Moffat and Gleb Derujinsky are great pilots and good friends who compete in the sport of Soaring for speed and distance in aircraft without engines - sleek competition gliders. Both would like to win the U.S. Soaring Championship. Derujinsky relies most on feel and creative impulse to sense his way through invisible air currents. Moffat does the same but relies more on a hand calculator he constantly works in his cockpit. This film 'The Sun Ship Game', voyages with both pilots into the sky at a regional contest in Vermont and into wild weather with eighty three other competitors in Marfa, Texas. Through eight days of hard flying in skies alternately filled with brilliant beauty and black violence, their two approaches arrive at a dramatic conclusion and one of them is named the U.S. Champion.

The first candid film made on a foreign chief of state, three weeks in the life of Jawaharlal Nehru.

A documentary record of the day-to-day existence of a pair of young married heroin addicts. Preserved by the Academy Film Archive in 2009.

Directed by Robert Drew.