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The protagonist is hit ten times, but fortunately it's only a bruise.

Hungarian short sci-fi film.

Two relationship dramas run parallel - the issue of having children that ties them together and the issue of having children that tears them apart. Perhaps they have more in common: a fear of commitment, of responsibility, of loneliness, of each other and of themselves. What they have in common is what tears them apart. Their inability to live together, their inability to be honest.

How can we experience intimacy if we are unable to express love? Adél, a Generation Z teenager, pushes her boundaries in search of her own identity. Her boyfriend, a typical man-child, drives her into more self-destructive behaviour. Can she feel free without knowing what it means?

Firma and Nero make a blood pact on the roof of a parking garage to make sure their love is real, thus putting their own relationship and the world at risk.

Hawk and Berry are standing on a high-stand, looking for game. It would be a funny joke, if it weren't so sad.

The film is following the undefined relationship between the two characters, based on autobiographical events and raw dialogues about insecurity, nostalgia. They attempt to explain their thoughts whilst they cook pancakes or take a walk along the river, while being stuck in the feeling of emptiness.

After the loss of Marlenka, Soma's soul is in eternal winter. Can a new woman overwrite the past, or will he forever mourn his great love?

Underpass at night. Michal is drinking beer alone. Alfred wants to drink some beer as well but he doesn’t have any, just a painting. Imagine that Michal and Alfred are the last two people on Earth.

After a long time, Ákos visits his sick father, Ágoston, who is being cared for by Ilona, an elderly carer. Father and son have a chance to connect after Ilona's unexpected illness leaves them alone.

Tibor has been in love with Alíz since she first took his clothes to the dry cleaners. It was Tuesday, raining. Her wet hair stuck to her forehead. He would rather never wash her clothes again, because they smell like lilacs. Melodrama in three pictures.

Experimental short film.

Krisztian is caught between two worlds. On the one hand, he takes pride in his spiritual development and teaching meditation to others. On the other hand he is consumed by his sexual desires and his fears of a novel global pandemic.