A. Khanzhonkov and Co.

First film ever that was shot by two cameras. Set in 1854-1855, in Sevastopol and Yalta during the Crimean War. Admirals Kornilov (Mozzhukhin) and Nakhimov (Gromov) organize the defense during the siege of Sevastopol. Both admirals are killed during the battle, and the city of Sevastopol is taken by the alliance of British, French, Sardinian, and Turkish troops. The legendary feat of Sailor Koshka (Semenov) was staged at original location. The 100 minute-long film was premiered in 1911 at the Livadia, Yalta, palace for the Tsar Nicholas II.

After being betrayed by her playboy lover, a heartbroken mute young woman joins a ballet company; during a performance of “The Dying Swan,” she enraptures a painter obsessed with portraying death genuinely.

In 1907, the Russian authorities learn that a revolutionary known as 'Granddad' is living in hiding with his brother. The revolutionary is soon arrested and sent to Siberia. After ten years of struggling to survive in harsh conditions, he is finally released when the Tsarist government is overthrown in February 1917. He is welcomed home as a hero, but he soon finds that even his own son has different views than he does about the future of Russia.

Based on the 1865 play of the same name by Alexander Ostrovsky.

Based on the novel of the same name by Ivan Goncharov. Raisky falls in love with his second cousin Vera, but she coldly rejects his advances. He soon learns that Vera is having an affair with exiled official Mark Volokhov, with whom She is secretly dating. One day, Vera, in a fit of passion, gives herself to Volokhov, which she immediately regrets doing. Raisky and Tatyana Markovna suffer along with her having learned about Vera’s situation. Volokhov invites Vera to marry him but she refuses his proposal. After all these passions, calm comes and in the final frames of the picture, Raisky draws a portrait of Vera, and then sits down to write a long-planned novel.

"Rusalka" or "Mermaid" based on Pushkin, an opera by Dargomizhsky, and other sources: A prince and a miller's daughter have been involved in a romance together, but now the prince tells her that he must break it off. After the prince leaves, the distraught young woman attempts to drown herself. When the prince's wedding day arrives, he is tormented by her image, which appears wherever he goes. Eventually, he is compelled to return and to try to find out what happened to her, regardless of the consequences.

A couple of lovers deal with an evil presence that is threatening them.

In order to allow another servant to go home to be with her children, Nastya agrees to serve in her place, as a maid in the household in which Nastya's grandfather is a porter. Soon afterwards, the woman who owns the house goes on a trip, leaving her son Pavel at home. Pavel is engaged to Ellen, but Ellen flirts openly with other men. Nastya and the servants quickly realize that Ellen is having an ongoing romantic affair with Baron von Rehren. This puts the servants, and especially the sensitive Nastya, in a painfully uncomfortable position.

A young man discovers the reason his new bride killed herself.

Since Zoya Verenskaya's husband passed away ten years ago, she has been devoted to her daughter Lee. At present, Lee is in poor health, and she is in danger of losing her eyesight. Zoya's suitor Dmitry wants to get married, but Zoya is determined to wait until Lee is better. Then, on a vacation in the Crimea, they learn Lee's true feelings for Dmitry, and suddenly all of their lives are thrown into turmoil.

A female doctor is so busy with her work that she has too little time for her fiancé. He falls in love with a waitress and the two have a child. Though considered by some to be a proto-feminist yarn, the film dwells on the consequences that equal rights for women may generate rather than openly champion suffrage. Similar in to Ibsen's The Doll House in many ways, the film provides mannered, solemn melodrama, ably acted by Mosjoukine and Yureneva.

The picture tells the story of Maria, a devoted wife of a bank employee. The couple has a cozy life; they have a baby but he is cared for by their maid so Maria can spend her time doing terrific things like going shopping. During one of these consumer afternoons, Maria meets by chance an old friend, Lidia, who will introduce her to exclusive idle class social circles. Soon Maria's beauty attracts the interest of Lebedev, a rich old libertine. From that point on Maria suffers continual sexual harassment (worthy of inclusion in any silent film encyclopedia article on beleaguered heroines) which she resists for a time. In the end, however, she falls into his bourgeois claws.