In 2013, the world's media reported on a shocking mountain-high brawl as European climbers fled a mob of angry Sherpas. Director Jennifer Peedom and her team set out to uncover the cause of this altercation, intending to film the 2014 climbing season from the Sherpa's point-of-view. Instead, they captured Everest's greatest tragedy, when a huge block of ice crashed down onto the climbing route...
In 1968, John Weiley shot 'Autopsy on a Dream' - a film about the Sydney Opera House detailing its construction process and the politics of Jorn Utzon's dismissal. Weiley's film was controversial; it was screened once and then he was told it had been destroyed. Forty five years later a copy was discovered in the BBC vaults by an ABC producer looking for archive footage of the Opera House. Weiley was contacted and told about a film that had no sound track. Weiley was overjoyed; for years he had kept the original sound. So began the painstaking process of restoring this record of a unique moment in Australian culture to its former glory, complete with updated voice-over from the original narrator, Bob Ellis. It is set in context by a 30 minute prologue entitled 'The Dream of Perfection'. Made by the same filmmaker, John Weiley, forty-five years on, 'Dream of Perfection' tells the story of the 1968 film - from commission to destruction, to surprise resurrection.
Made under extraordinary, and extremely dangerous, conditions, Jirga tells the emotional story of a former Australian soldier who travels to Afghanistan to seek forgiveness.
50 years ago, Sydneysiders were shocked and the art world astonished by Christo's wrapping of the Little Bay coastline. Hungarian migrant and entrepreneur John Kaldor, who initiated this monumental work, has said “it all started with a stale sandwich, in Christo's studio in 1968 New York.” Now, Project 34 (by Asad Raza) is about to be unveiled, and UK artist Michael Landy is designing the exhibition to celebrate 50 years of Kaldor Public Art Projects.
Renowned Australian artist William Yang traces the labyrinthine web of his family history in this adaptation of his iconic live performance piece. William was born and raised in North Queensland, his grandparents having migrated from China to the Top End during the 1880s gold rush. Yet it was not until mid-life that he claimed his Chinese heritage, which had hitherto been lost to him by his complete assimilation into the Australian way of life. William's transatlantic exploration of his genealogy unites him with scores of relatives from all walks of life, some rich, but most ordinary folk with menial jobs, and most cannot speak a word of Chinese. A visual feast, Blood Links examines how the Chinese diaspora establish roots in foreign soil, and how over the generations, through intermarriage, blood is mixed; yet the intricate bonds of family remain.
In the ’70s and ’80s, photographer William Yang captured Sydney’s emerging artistic, literary, theatrical and queer circles; as well as his friendships with artists, writers and fashion designers such as Brett Whiteley, Patrick White, Linda Jackson and Jenny Kee. With myriad images and his trademark candid narration, Yang leads us though this beguilingly decadent and creative era.
