As in the novel of the same title from Camilo Jose Cela, "La Colmena" is a sad composition with the stories of many people in the Madrid of 1942, just the postwar of the spanish civil war. The main theme of the film is the contrast between the poets, surviving close to misery under the Franco's regime, and the winners of the war, the emerging class of the people that makes easy money with illegal business.
Four Spanish women of very different origins and motivations work in Paris as handmaids.
Miguel is a young Spanish naval engineer in love with an American student of History of Art. When she becomes pregnant, she decides that the easiest solution to her situation is to marry her civilly. However, in Spain in the 1970s, prior to the passage of the Divorce Law, the only way to do so is to apostatize the Catholic Church. For Miguel, a believing devotee, taking this step involves a deep inner conflict.
Two penniless Italian buskers want to go to the USA but get on the wrong ship and end up in South America in a concentration camp where they are rescued by American parachutists from. Afterwards they become big shots in the States but their dream comes to an end : they are sent to fight in Vietnam
Catherine Hubscher, who washes the shirts of young Napoleon and other soldiers fighting the Revolution, falls in love with Sergeant Lefebvre. Circumstances bring Lefebvre a noble title and even more -- Napoleon decides to make him the local ruler over a large territorial fiefdom. But trouble brews when Madame Sans-Gene, now elevated to the nobility along with her man -- cannot keep her frank observations under control.
Julio and Timoteo operate a private detective agency that specializes in cases relating to partners who cheat on their spouses.
The frog test confirms Julita is pregnant. This is usually a great news. In this case, no. She is a victim of premarital sex, and he, Paco, a mechanic who, according to some theories of French biologist, explained by a podiatrist friend, will not be liable. Don Ramiro, the father of Julia, is a liberal-minded man, but when his daughter tells him that she will have a son who will not parent, seeking the solution of fatherhood in his gun regulation.
Two guys live without working quite well using thousands of tricks and fakes. But they soon change their attitudes when love arrives at their hearts.
Juana and Francisca are serving at the Stevens house, an American couple. Both of them have a boyfriend, one is an egg-carrier and the other is a transporter with his own motorcycle. And both with a totally totalitarian and macho concept regarding male-female relations. The girls also have two American suitors assigned to the American Base of Torrejón, friends of their masters. Thus, without almost pretending, the two girls will find themselves in the midst of the jealous Spaniards and the beefy Yankees.
Spain, late 19th century. When, in a time of great political instability, Flora, a beautiful young woman, starts working in a ministry doing a job that supposedly only a man can do, a great scandal breaks out.
Juan does not have a cent but lives beautifully. His nights of revelry and cabaret are famous in the night city environments. As heir to his old and very rich uncle Don Patricio, lives subsidized by creditors on account of his future inheritance. But John keeps a terrible secret: he has long been disinherited. When a telegram arrives announcing the death of the uncle, Juan returns to the family home in the Costa Brava. There he meets Anna, a wonderful woman who is the current heir to the family fortune.
Serving the customers of a department store, the salesgirls in their blue uniform go out of their way to serve them. But in their young minds, one idea surpasses all: the hunt for a husband. Ana is in love with Juan, who seems to be very well in his condition of single. Olga has aspirations of the highest level, as her boyfriend must own a great car. Pilar aims to win a radio contest. And there is also Álvaro, the lawyer whose only cause capable of defending, and even with a resounding failure, is the freedom of the bachelor.
Bernabe (José Sacristán) works as an artistic director for a publicity firm but his avocation is fawning after his bosses, sleeping with whomever might advance his career, and ignoring his wife. Life continues on in this vein until he meets a young model whom he invites up to his boss's temporarily vacant country house, pretending the house belongs to him. Not very far away, bulldozers and other machinery are clearing the beautifully wooded area so construction can start on an amusement park. Little does Bernabe realize that his potential new conquest is a seriously fanatical environmental advocate, and she arrives at the house with friends, gets Bernabe high and "out of it," and then she and her friends proceed to trash the construction machinery. Once Bernabe comes around again, he finds out what has happened, loses heart for his planned sexual escapade, and begins to appreciate his wife for the first time.
Carlos, a widower in his forties, lives with his daughter Lolita and his sister Merche. He is a candidate to Spanish Court's Proctor, so frequently travels outside Madrid. During one of those trips, he is forced to return at home precipitously, because his sister informed him that Lolita has left the house to live with some friends.
