A directionless, young campus bus driver and a punk rock Samoan security guard named Pineapple form an unlikely kinship as they navigate the unpredictable late shift shit show known as the "drunk bus." Together, they break out of their endless loop and into a world of uncertainty, excitement and incredibly poor decision-making.
A son and mother's attempt to rob a bank is scuppered by bizarre manifestations from their past.
Four veterans of the Afghani war ride the American rails.
Edgaras and Migle are in a relationship that has Migle have the upper hand financially. Because of this, when Edgaras old friend offers the opportunity to make some money by smuggling cigarettes, Edgaras is tempted. But with a wonderful girlfriend, college around the corner, and so much that can be ruined if he and Viktoras get caught, will Edgaras go through with it?
A Black musician, now in the later stages of his life, harks back to the magical moments in his childhood, career, and his relationship with his father who introduced him to his first true love: his trumpet named Betty.
Beat Goes On is an impressionistic portrait of the activist Keith Cylar (1958–2004), co-founder of Housing Works and a central figure in the AIDS Coalition To Unleash Power (ACT UP) NY. Cylar spoke clearly, frequently and with moral force about the struggles of people living with HIV/AIDS in New York City, many of whom were impoverished and struggling with multiple social and medical problems. His openness about his own drug use and the centrality of the fight against the criminalization of drugs for AIDS activism make Cylar's legacy especially resonant and relevant at this time. Commissioned by Visual AIDS in 2019 as part of STILL BEGINNING, a program of seven short videos responding to the ongoing HIV/AIDS epidemic.
