Yakakurumbira Kubva Uzbekistan

Considering that Musakov’s Abdulladzhan (1991) was dedicated to Steven Spielberg, we might suggest that these four boys embody nothing more complicated than a conflict of youthful innocence with some ominous threat—the basic workings of E.T. (1982) or War of the Worlds (2005), say. That threat, however, is best understood not through vague nationalism or warmed-over socialism, but through the other reference-point of Abdulladzhan—Tarkovskii’s Stalker (1980). Musakov leaves his boys in a simplified radiance so bright and so overexposed that it no longer looks like the skies of sunny Tashkent, but a disturbing, borderless luminosity to match the flat tonal range of Stalker’s “Zone.” Our Uzbek boys are nowhere in particular; this is a broader domain than anything international.

A wealthy man hires two bodyguards, one a former paratrooper (Qodirov) and the other just released from prison (Soipov), to protect his two daughters, Gulnoza (Ashurboeva) and Dilnoza (Eshonqulova). Whilst at first the girls are reluctant to accept their fate, they soon realise how lucky they are to have the two young men in their lives…

Mukhabbat, an Uzbek immigrant, works at a convenience store on the outskirts of Moscow. Just like the rest of the immigrants at the store, she is forced to work without getting paid and endure mental and physical abuse, until she overcomes her fear one day and takes her fate into her own hands.

Amir, 30 years old cinema reporter, lives a great (and probably) happy life between his job and a private life with many friends and Lia, devoted girlfriend and mother of a boy, Timur. One day at the last minute, Lia can't join the group of friends who has planned a trip to the beach. There, Amir meets someone, whom he believes to know already.

Since Fatima and Zuhra's brother did not come home one day, Fatima is worried and goes outside to look for him. Then, the street thugs kidnap and rape Fatima. Fatima commits suicide.

A young doctor serving cotton growers goes to the city. On the highway, when trying to overtake a motorcade, the traffic police stops the car. The events that take place next are an accurate and witty model of a life permeated through and through with absurd relationships, ridiculous demands and inexplicable prohibitions...

An agent of the Uzbek special services, Timur Saliev, is conducting an operation to seize the Scorpion terrorist group when he learns that his brother, whom he considered dead, is alive and belongs to this very organization.

The sisters' father is dying — and now the family is forced to move to the city. The eldest quickly has a boyfriend, but after a quarrel and an unsuccessful attempt to get married, she commits suicide. And now the youngest wants to take revenge on the heartthrob, considering him the culprit of all the troubles...

The film follows the lives of four upper-class teenage boys in Tashkent, Uzbekistan including the shy son of a famous film director, a chubby cut-up, son of a rich and successful businessman, and a tough aspiring playwright who works after school to avoid his raging alcoholic of a father. The four all live in the same housing complex and go to the same high school, where they fall for a beautiful, tough-as-nails new female student. Within the exotic locale of Uzbekistan, the boys experience the usual "growing pains" as they fall in love, "borrow" the family car, work hard to earn extra money and have too much to drink. A funny, touching slice-of-life comedy-drama.

Our four dear friends are about to graduate from school and start a big life. Khurshid is studying at a medical university, Hamdam is returning from the army, Jawahir is trying to earn money by pawning on the street, and Bakhtiyar is working under his father. They all still love Lola.

The film tells the story of Anzirat, an elderly woman who lives in a small village in Soviet Uzbekistan with her son, daughter-in-law, and their ten children, all boys. Because of her strictness the villagers call Anzirat "Grandma-General". Back in the 1930s, Anzirat headed the main farm of the village and went through many hardships. Even when she gets old, Anzirat does not want to rest and cannot put up with the laziness, greed, and negligence of some of the villagers. She tries to put things in order for her family. Her son, however, instead of helping his pregnant wife spends all his spare time building a family football team. Only after Anzirat's death do the residents of the village realize how empty their village is without her. They feel that Anzirat was the conscience of their village.

The sea vanished without any trace. Where the waves had once splashed, the bottom is cracked from the heat. Here, at the same depth, people stayed to live. An old fisherman, who is trying to escape from the past. The border guard, who changed his boat to jeep for patrol the state border. Former official, who because of other people's machinations, has lost everything - The sea is gone, but hope remains that it will return. And with it returns hope to find love for the neighbor .

The movie tells the story of two filmmakers seeking talented people for acting in a musical entitled Maftuningman (Delighted by You). One of the filmmakers travels to different parts of the Uzbek SSR in search of potential actors. Wherever he goes he meets exceptionally talented people and hears about other gifted people in different parts of the country. The actors for the movie were in fact chosen in this way from different parts of Uzbekistan.

The Red Army soldier Maksud returns with a detachment of the Red Army to his native village. Maksud sees that nothing has changed in the village — just like in the old days, the bai are rampaging, oppressing the people: bek Rahmankul ordered the hanging of two dehkans who plowed the land that the Soviet government gave them. Obsessed with hatred of the new order, Rahmankul asks Sheikh Abbas to give him the treasures of the mosque to arm his gang.

The film tells the story of an elderly couple living a peaceful life in a village, with their eldest son living nearby and their youngest son working abroad. It depicts the struggle and conflict between two generations.

Kamil’s peaceful life with his three wives in the remote region of Turkestan is disrupted when the fourth wife arrives. Changes simultaneously rush at a family that seem far from a historical upheaval that destroys long-standing family traditions.

A piercingly open talk between a mother and a daughter about growing up as a woman in Uzbekistan, now and back then. Confessions about sex no one really wanted, about the experience of misogyny and gender asymmetry. Naked truths as a form of therapy.

Short film by Sergey Alibekov.

In Uzbekistan, the government has started its own war on terror. A war that – like so many others – is waged for political reasons, which rarely have anything to do with reality. As a result, thousands of Muslims are imprisoned on false charges of conspiring to commit terrorist crimes. One of them is the human rights activist Dilya's brother Iskandar, who has been imprisoned in the notorious Jaslyk prison in a barren desert since 2002 – an inhumane place of which there are no images. Today, she lives in exile in Sweden because of the threats and harassment, but Dilya continues to fight the case of her brother and other prisoners with the help of Amnesty International.

The 'super kelinchak' has found her place as a wife and mother yet is as feisty as the mother-in-law who taught her how to become the perfect daughter-in- law...

In the cities of Central Asia and Russia, the indomitable Fatima barrages , committing one crime after another . The Prosecutor's office investigator Pyotr Yerozhin gets in her way , not yet knowing how this investigation will be closely intertwined with his own fate.