Exploring the Set of 'Moonrise Kingdom' 2015
Martin Scali, who was Wes Anderson's assistant on "Fantastic Mr. Fox", shot this short documentary in Newport, Rhode Island, during the filming of "Moonrise Kingdom".
Martin Scali, who was Wes Anderson's assistant on "Fantastic Mr. Fox", shot this short documentary in Newport, Rhode Island, during the filming of "Moonrise Kingdom".
“This video interview with director Milos Forman was conducted in New York City in 2001.
Film critic J. Hoberman discusses the best-selling 1962 novel by Eugene Burdick and Harvey Wheeler on which "Fail-Safe" is based, along with the pervasiveness of nuclear paranoia in films of the sixties.
This documentary traces the "physical history" of Fritz Lang’s M, from its production and original distribution to the digital restoration used as the basis for this edition. It includes a look at the French-language version of M but was produced before the discovery of the English-language version.
This visual essay sets clips from Robert Bresson's "A Man Escaped" to a reading of "Functions of Film Sound," a chapter from David Bordwell and Kristin Thompson's book "Film Art." The chapter analyzes the sound design of Bresson's masterpiece as a means of discussing the use of sound in film.
A documentary on the making of the 1936 film Swing Time, featuring interviews with jazz and film critic Gary Giddens, dance critic Brian Seibert, and Dorothy Fields biographer Deborah Grace Winer. This is an all-encompassing feature covering the evolution of the Hollywood musical, Astaire's and Rogers' work, and the film's music, written by Jerome Kern and Dorothy Fields.
Director Robert Altman and writer Garry Trudeau discuss their collaboration on Tanner ‘88 in a conversation recorded in June 2004.
Filmed in Los Angeles in August 2017, director Donna Deitch, cinematographer Robert Elswit and production designer Jeannine Oppewall discuss their collaboration in creating the look of DESERT HEARTS.
A new conversation between author Dave Eggers and the Coen Brothers about the production, from inception to release, of 'Blood Simple'.
A documentary created by the Criterion Collection for their release of Italian film director Federico Fellini's Amarcord about his relationship with his home town, Rimini, featuring archive interviews with the director and more recent interviews with some of his friends and collaborators.
Filmmaker Robert Townsend executive-produced the following fifty-six-minute program for Criterion’s Meet the Filmmakers series in 2018. In it, he and Charles Burnett reflect on Burnett’s groundbreaking career in cinema, returning to South Central Los Angeles and the shooting locations of his landmark films Killer of Sheep and To Sleep with Anger.
Video homage to legendary stuntman Yakima Canutt, with celebrated stunt coordinator Vic Armstrong.
Video piece, featuring journalist Buzz Bissinger, about trader Harry Goulding's key role in bringing Monument Valley to Hollywood.
An appreciation of Stagecoach, with director and Ford biographer Peter Bogdanovich.
An audio essay narrated by Greg Pflugfelder explaining the events surrounding a tuna-fish boat called 'Daigo fukuryu maru'. The event inspires the story of Godzilla.
Join legendary director Martin Scorsese, and acting icons Robert De Niro, Joe Pesci and Al Pacino going behind the scenes of their universally acclaimed movie.
A new documentary on director Nobuo Nakagawa and the making of the film, Jigoku. Featuring exclusive interview with Nakagawa collaborators.
This short documentary features interviews with film scholar Callisto Cosulich, BICYCLE THIEVES coscreenwriter Suso Cecchi d’Amico, and actor Enzo Staiola. The interviews were conducted in Italy in 2005.
“In this conversation, recorded for the Criterion Collection in Los Angeles in 2023, filmmaker Gregory Nava talks with director John Sayles about the development and production of Lone Star and Sayle’s career in independent cinema.”
Writer and Rookie editor in chief Tavi Gevinson explores THE VIRGIN SUICIDES through the lens of adolescence, suicide, and memory. It features Gevinson’s own writing and imagery from a fanzine she made about Sofia Coppola’s movie in 2012.