Eesti Telefilm

The small town of Iisaku in the middle of the large forests behind Alutaguse has long been known for its lively spirit and cultural-minded sense of life. The people of Iisaku talk about its past and present.

Based on the tales of Chinese writer Pu Songling, the film depicts the romantic relationships of a Chinese student with an undead girl and a fox spirit maiden. Rainer Sarnet's diploma film.

On a nice summer day a funny little car rolls over a peaceful farm yard of Muhu island. The family that withdraws from the vehicle is quite odd-looking: an overbearing madam, a henpecked stammering husband and a mystical red-head. They announce that they want to spend their vacation in the farm ... "We are from capital, we will pay". This quiet vacation turns out to be a frantic day with romance, unexpected turns and fisticuffs between suitors.

The protagonist of this satirical short is a photographer whose camera captures photos of people's true nature. We often have to ask ourselves whether we see the truth around us. But do we want to see it?

The movie travels through the 20th century by monitoring a steam boiler. We see the history of Estonia through life, agricultural work and people at different times.

A group of sleepless nerds should be taken into sanitarium for hard-therapy. They are taken to a lonely island but no sanitarium is in sight. Suddenly turns out that the nurses have kidnapped the men and are about to give them the only useful medicine they need - fresh air and work. But the patients decide to disobey. There's only one solution - to escape.

One summer, the life cycle of one great crested grebe couple. Screenwriter, director and cinematographer Rein Maran.

"Tractus stellae – Herodes and the Three Wise Men", a liturgical drama based on the 11th Century manuscript, comes alive through images. The story of the birth of the holy infant in manifested through musical visions about king Herod and the premonition that the new king is about to be born in Judea. Performed by the band Hortus Musicus.

This is a film about Juhan Peegel, a linguist and lecturer, professor and writer, a former soldier. Against the background of all these facets, the viewer is presented with an amazingly simple and modest human nature, who values ​​the warmth of home and the land of his birth above all else.

Among Tooming's filmic works, Endless Day provides perhaps the most eloquent material for investigating the radical renewal of visual and narrative form, as well as the shifting registers of spatio-social portrayals and critiques in Estonian cinema. It was banned in 1971 and ordered to be destroyed. However, the film was retained and restored in the 1990s.

Toomas Joller has been an actor for twenty years. Joller is popular and has been awarded the honorary title of People's Artist. But Joller's star is gradually fading. He becomes egoistic and self-centered, his performances remain superficial. An actor's internal combustion requires hot water, which Joller uses in abundance together with his friend, the comedy actor Ruts.

A dance film-fantasy, a tour of old and new Tallinn from its own unique angle - from the rooftops. First colour film of Eesti Telefilm.

A three-act film-essay about memory and the historical-cultural ties of the Finno- Ugric peoples. The first chapter is dedicated to ancient Bearese of memory, such as Karelian cliff drawings, Kalevala runo song and Khanty bear feast rituals. the second act portrays the visit of Elias Lonnrot, compiler of the Finnish national epic Kalevala, to Estonia and his meetings with local intellectuals. Part three re-enacts an ancient smelting and blacksmith ritual set to Veljo Tormis' cantata 'curse upon iron'. Filmed in 1985 in Uhtuo, Karelia; in Khantia-Mansia at the Agan river, a tributary of the Ob; and in Estonia (Tallinn, Kuusalu, Tartu, Voru, Litsmetsa in Voru county, Lullemae, Karula, Rongu, Narva, and at a bend of the Pirita river). The third documentary in Lennart Meri's "Encyclopaedia Cinematographica Gentium Fenno - Ugricarum" series.

A musical comedy about singer Toomas Aringus and rally driver Mati Uibo, whom journalist Tiina Salum considers to be one and the same person due to their external resemblance.

The story of a young art student who goes to the countryside for a summer internship in watercolor and rents a room in a house by the sea. Conversations with an old housekeeper and meetings with an initially somewhat fussy and naive girl draw one summer in the life of a young man. Whether it's a girl's going to university, meetings with people from a beach village, or an old woman's reminiscences of past times, something about these topics has an enlightening effect on the young man. At the end of summer, a young man's eye and weather view is brighter and wider. It is a lyrical and tender story of the beginning of young love and the life experience of a fading Estonian generation. Based on Lilli Promet's story "Watercolors of One Summer" (1961).

In September 1944, Estonia is on the brink of being released from under the occupation of Nazi Germany only to be seized by the Soviet army. This film follows the destinies of two women - Maarja and Leeda - and two men - Gert and Mati - under the harrowing influence of war and foreign occupation.

In Paradisum relates two disturbing stories simultaneously. The female narrator tells her personal tale of imprisonment as the wife of the notorious Estonian serial killer, Andreas Hanni. Although her story is bizarre, it touches familiar themes that run throughout modern life: the desire to be loved and the fear of being alone. Pille Hanni's tale unfolds over cinema vérité images of life in several Estonian prisons. At times the images reflect in a literary way the events of the narration, yet they are representations and impressions, rather than traditional documentary style footage of the people involved. This opens the story to a more general interpretation, often with unsettling results. The parallel contents reveal, at two levels of story and social organisation, how the bizarre and inhuman can be tolerable and even addictive in the face of our fears.