Ego Media

The Man Who Saved the World is a feature documentary film about Stanislav Petrov, a former lieutenant colonel of the Soviet Air Defence Forces.

Helena is a 48-year-old paramedic – a strong and efficient woman who has no difficulty handling the practical details of everyday life. Due to her work Helena is well aware of what goes on behind closed doors and in the dark shadows of the night. But the fact that she herself has emotionally abandoned her daughter Stefi a long time ago, remains invisible to her. Deeds that haven’t been done and words that haven’t been spoken lead Helena’s life towards that very darkness on a fast track.

A Latvian tragicomedy about a young artist who bears witness to the dramatic political upheavals of the WWII era. As brutal regimes come and go, his country, his village, his people, and even his heart are swept up in the inexorable currents of history.

When his family moves to the city of Zlín and 16-year-old David joins a new hockey team, the Wolves, he is determined to succeed. There’s, however, the other goalie, Miky – and his position seems unshakeable. The team doesn’t welcome David with open arms either. Captain Jerry and his gang do as they please, while the team follows the ‘law of the pack’. David has been weakened by his recently discovered diabetes, and that is not tolerated here. He is still coming to terms with his body, learning to estimate the insulin doses his life depends on. On the team, David is the outsider, bracing the avalanche of bullying that gradually gains speed.

After the lives of several people are tied into a intriguing knot upon meeting police officer Krasts one hot summer day, they’re all brought together again on a full moon winter night. Intrigue develops among a couple of lovers, Gints and Elga, three adventure-race participants with one woman, Renate, on their team, three generations of a family whose father, Karlis, died in a tragic hunting accident, Karlis’s daughter Aija, his former lover Livija, and a young girl hardened by life, who lives at a Christian home for expectant mothers. A detective twist is added by a bit of poison, which one of them will get.

Ilze Burkovska, a little girl who is obsessed with stories of World War II and will be a filmmaker in a distant future, lives in Latvia under the totalitarian boot of the Soviets and the ominous shadow of the many menaces and horrors of the Cold War.

During the reconstruction of the Valmiera Theatre building (2021-2024), artistic activities were never interrupted - the preparation of new productions and performances in the Round Hall continued. The promised one winter of patience turned into three. Rehearsals and performances took place in various locations in Valmiera, but the theatre building, despite the lack of water and heat, was never abandoned - with construction crews, through the dust and cold, actors and other theatre staff went to the rehearsal hall, the Round Hall, the carpentry workshop, and the administration to work as if nothing were unusual or difficult.

The main characters of the film have made choices, which change their lives forever. A young man Yigal Amir assassinates the Prime Minister of Israel and becomes the most hated prisoner in the country. Larissa, who emigrated from Russia, mother of four divorces her first husband, marries the assassin and gives birth to his son. For many years the film authors have been trying to solve and perceive this complicated story. One of them, Hertz Frank, passes away during the shootings remaining on the threshold of the eternal mystery - life, death and love...

Lame-o’s is set just before the Millennium, in 1999, and is the story of three school friends who are among the most unpopular girls in their class. The friends are determined to radically change the situation. The three friends at the centre of the story are Sarmīte, Sveta and Katrīna, who are studying in the last class of the secondary school. The upcoming Millennium and their approaching graduation make them undertake various measures to become appreciated and liked, which eventually challenge their friendship.

Pavlensky/Pawlenski, artist and activist, is leading the way in forging social change in Russia. Through an multiple courageous performances, he acts as society's conscience in the face of an increasingly totalitarian state. From lying naked in a coil of barbed wire, to nailing his scrotum to the floor of Red Square, his acts of defiance aim to spark debate and catalyse reform. This documentary follows his mission to challenge the state.

Vitaly Mansky’s intimate and insightful new documentary finds him crisscrossing Ukraine in the wake of the Maidan uprising, which has left his relatives scattered on both sides of a highly charged and dizzyingly complex political situation.

Ieva has been an obedient granddaughter for years – choosing a safe career in a bank as her grandmother wanted. Her mother left the family years ago when she had to look for work abroad. That has made ties between Ieva and her grandmother especially tight. Dissatisfaction with the constant adaption to the material world is flickering under the surface and Ieva lives her dreamlife with her friends. She plays the keyboard in a girl band and stays out late. When Ieva decides to have a provocative tattoo on her arm made, her grandmother goes completely nuts.

After receiving an edict from the municipal authorities about the closing of their school, the students at Mežvidi primary school continue to attend lessons and exercise creativity and fun, but it’s all clouded in a sense of fatality. They aren’t many students, and because of that the school resembles a large family rather than an institution. Near the Russian border, deep in the Latgale region, this place will become a nowhere-land once the youth depart. In an intimate message about a national problem, the story focuses on three sisters for whom life is about to drastically change. Through their daily lives and small adventures we try to understand the real meaning of the contention that “the countryside is dying”. And we see hope.

An insecure millennial woman pursues her dream whilst learning how to adult. While being preoccupied with life tasks at hand she can barely handle and also severe depression, main character of this film Marta (30) keeps dreaming about making films, drawn to the healing power of storytelling, but not having the courage to act these dreams out; sometimes she is too scared to even pick up the phone. Marta’s life seems to sway both in comic and tragic directions: it’s sometimes a mix of ultimate freedom, sex, drugs, friendship, laughter, alcohol, lots of alcohol, music, honesty and love, and sometimes the reality Marta avoids to face becomes so brutal she can’t take it anymore. Through the course of the film Marta learns there is an unavoidable question that at some point becomes inevitable for almost every filmmaker: if you really want to direct films, can you first direct yourself out of depression?

What does it mean for a woman to take up the role of mother? The film follows four Latvian women during different stages of pregnancy. An ambitious dancer has to put her career on hold while being pregnant. A housewife expects her second child and fears postpartum depression recurring. An urban party girl becomes pregnant, decides to get married and move to the countryside to build a new home from scratch. A young entrepreneur and ex-punk welcomes her first child yet is haunted by the traumatic events from her past. All four women offer a unique insider point of view of pregnancy, as part of the footage is shot by the protagonists themselves. They go through a mix of emotions, highlighting that pregnancy, contrary to mainstream representation, is not only about the child - it is about the mother, too.

The COVID-19 pandemic, the gradual alienation from fellow human beings and the growing fear of his own death make the author go on a research trip to see if there is an opportunity to prolong his life scientifically. This is the starting point of an existential yet hysterical journey to uncover the business of eternal life in the world of today. While meeting characters who range from crazy futurologists to crafty “death” businessmen, the director realises that his role as an investigator becomes a personal obsession.

A young married housewife's dull routine is enlivened as she spies on the sexual escapades of her fencing instructor neighbour. She too is seduced by him, but the fear of losing her family results in hysteria and an unpredictable climax.

Elsa falls in love with a quadriplegic genius, her patient Nicola, whose mansion hides a secret – Nicola is obsessed with the creation of an artificial intellect. His creation, named Anna, stops at nothing to keep her master just for herself.

Leningrad, 1970. A group of young Jewish dissidents plot to hijack an empty plane and escape the USSR. Caught by the KGB a few steps from boarding, they were sentenced to years in the gulag and two were sentenced to death; they never got on a plane. 45 years later, filmmaker Anat Zalmanson-Kuznetsov reveals the compelling story of her parents, leaders of the group, "heroes" in the West but "terrorists" in Russia, even today.

Piirissaar is a tiny Estonian island in Lake Peipus, on the very border of Russia. The Russian Old Believers who inhabited the island appeared here 300 years ago, during the Great Northern War, fleeing from the religious reforms in the Orthodox Church and to avoid being mobilized in the Russian army. As the waves have washed the island smaller and smaller, the community here has also fused over time, inevitably reaching the brink of extinction. However, the local culture and sense of life that developed in isolation from the rest of the “Russian world” has not yet completely disappeared from Piiriissaar.