A young girl, Benilde, so protected by her religious family that she seemingly knows nothing about procreation, insists that her mysterious pregnancy is a miracle; however, her distressed bourgeois family decides that Benilde has lost her mind.
This exaggerated mockery of crime cinema tells the story of a gang lead by "Renato, o pacíficio" (Renato, the peaceful) and their attempt to steal precious jewels from the Gulbenkian Museum in Lisbon. The weapon of choice? Bees!
Vasco is a medical student in Lisbon, supported by his rich aunts, whom he had falsely told he had already graduated. In fact, he devotes himself to a bohemian life, preferring the popular fairs and pretty women, especially Alice, a seamstress from the Castelinhos quarter, which rather upsets her ambitious father, tailor Caetano, who is familiar with Vasco's debts. After failing yet another final exam, he is surprised by his aunts' announcement that they will visit him in Lisbon to see his practice.
Teresa is a soap-opera actress. Meeting again an old passion brings her back apparently lost memories, leading her to question not only her love life but also her career options. In the studio, the daily work is spiced by the frenzy group of younger actors. After all, they all ask the same question: where does happiness lies?
Geninha and Fortunato are couple who loves music. He's a good songwriter, she sings well. Despite this, their parents hate each other and do not seem willing to allow their marriage, nor the creation of a local radio for them.
Two friends decide to go hunting but without guns, so that no accident will happen. As they stroll and talk, one of them falls into a hole in a hidden marshland. His friend runs away, and manages to gather a number of men that were in the vicinity. They form a human chain to pull the victim out, but their affliction mounts, as they have no strategy for doing it, and they can't understand each other.
André (Curado Ribeiro), is a son of a wealthy family who meets a girl called Luisinha (Milu). Luisinha lives at a small pension house with Rita (Maria Olguim) and Januário (João Silva), who are as parents to her, and with mr. Simplício Costa (António Silva), better known as Costa do Castelo, a lazy but highly talented guitar player who together with (Hermínia Silva) reaches success.
The struggle between two friends: one, symbolizes the deepest incredulity about religion; the other, priest Manuel, endures insults with stoic resignation, but doesn't give up on installing words of faith in the hope of recovering his soul for God. In a pathetic atmosphere, in which everyone defends the primacy of their beliefs, they feel surrounded by a bundle of circumstances linked to a secret of love, with an unexpected and disconcerting outcome ...
Tony, a trapeze artist, gets a job at a small circus. When a tempest takes away the tent, Tony stays for the love of the beautiful Belmira who could be a rider… if they hadn’t sold the horse. They play at open-air, sleep under the stars, scrimp and save every penny, and soon there’s a new tent to be bought on credit. But Belmira is not happy, she dreams of a real home, while Tony is fascinated by the circus. And the gloomy days are back.
A sad and strong people living in the huge plains of Alentejo. Their endless struggle for bread, their nostalgic, bewitching songs and their daily toil to turn a dry, barren land into golden wheat fields.
It focuses on maritime tragedy of the town and a forbidden love between Julha and João Moço, from different fisher castes, in a community where mixed-caste marriages were not allowed and dating without parent's assent was seen as a disgrace to the family, not only in respect to women, but also men.
Anastácio lives in Lisbon and is fanatic for Sporting, one of the city's football teams. When the team travels to face Porto, he follows it with the family, staying in house of his friend, Mr. Barata, pretending to be rich.
Adaptation of the homonymous novel by Júlio Dantas. Trying to highlight the romantic tone, the ruralism of the picturesque situations and environments, the spirit and characters of 1863 are revived: the characteristic loves of Margarida and Clara, the distinguished morals of Pedro and Daniel, the bonhomie of João Semana, finally the disagreements , common sense, tenderness, rituals and landscape involvement of Minho.
When Mr. Elias discovers that his aunt, who lives in Brazil, comes to visit him, he decides to temporarily occupy the house of a wealthy neighbor who's away so that she doesn't discover that he's not as rich as he told her.
Two neighboring villages fight over control of a stream to water their lands.
In the gardens of a large village house belonging to a reclusive architect, a hand is found. In a sign placed at the gates of the property, the architect annouces he will return it to whoever proves to be the owner.
Melancholic and atheist bank clerk Manuel is stuck in a love triangle with two women, the fiery art model Albertina and the quiet and religious Ana Maria. After spending several years working in Africa, Manuel returns to Portugal only to find both women already married, and his life marred by problems.
The first feature in António Reis and Margarida Cordeiro’s trilogy is a journey through this almost mythical region of north-east Portugal, a tapestry of micronarratives where past, present and future become intertwined.
Short film by Fernando Lopes, decisive figure of the Portuguese New Wave.
It is the story of two men in love with the same woman and fighting each other in and out of the arenas of bulls.
