Filmfonds Wien

Two psychotic young men take a mother, father, and son hostage in their vacation cabin and force them to play sadistic "games" with one another for their own amusement.

In the heat of the summer lays a lonesome house in the countryside where nine year old twin brothers await their mother’s return. When she comes home, bandaged after cosmetic surgery, nothing is like before and the children start to doubt whether this woman is actually who she says she is.

At a climate research station in the Alps, the scientists are stunned as the nearby melting glacier is leaking a red liquid. It quickly turns to be very special juice — with unexpected genetic effects on the local wildlife.

The lives of three strong-willed women and a young musician cross paths in Tehran’s schizophrenic society where sex, adultery, corruption, prostitution and drugs coexist with strict religious law. In this bustling modern metropolis, avoiding prohibition has become an everyday sport and breaking taboos can be a means of personal emancipation.

Although to the outside world he seems like the a perfectly normal insurance broker, Michael secretly keeps a 10-year-old boy, Wolfgang locked in a room in his soundproof basement.

In a village on the Hungarian border, two young brothers grow up during war time with their cruel grandmother and must learn every trick of evil to survive in the absurd world of adults.

Deals with the life, work, and tragic death of Johann "Falco" Hölzel. The biopic portrays his work through his early days, as member of the Viennese band "Drahdiwaberl", and later with his own hits as solo artist, like "Der Kommissar", "Wiener Blut", and his worldwide smash-hit "Rock Me Amadeus".

Because of the power of love, the last year of Franz Kafka's life becomes his happiest. The well-known writer has never before been able to allow himself to experience intimacy, he suffers from tuberculosis and is dependent on his overbearing family. In the summer of 1923, he met Dora Diamant in the seaside resort Graal-Müritz on the Baltic Sea coast, where he is convalescing and she is working in a Jewish Volksheim. He is a man of world, the 14 years younger woman is from the deep East, he can write, she can dance. She has both feet firmly on the ground, he is always hovering a little above it. She embraces the indicative, he gets tangled up in the conjunctive. But the worldly wise Dora accepts him as he is. And he accepts her. Together they go to Berlin and when Franz's health deteriorates rapidly, to a sanatorium in Austria. They are granted a single year together until Franz Kafka's health deteriorates incurable. However their year together allows them to feel the glory of life.

Through his work at a morgue, an incarcerated young man trying to build a new life starts to come to terms with the crime he committed.

Welcome to the world of industrial food production and high-tech farming! To the rhythm of conveyor belts and immense machines, the film looks without commenting into the places where food is produced in Europe: monumental spaces, surreal landscapes and bizarre sounds - a cool, industrial environment which leaves little space for individualism.

Documentary about the life of avant-garde filmmaker Maya Deren, who led the independent film movement of the 1940s.

HOMO SAPIENS is visionary documentarian Nikolaus Geyrhalter's exploration of the finiteness and fragility of human existence, the end of the industrial age, and what it means to be a human being. What will remain of our lives after we're gone? Empty spaces, ruins, cities, increasingly overgrown with vegetation, crumbling asphalt: the areas we currently inhabit, now abandoned and decaying, gradually reclaimed by nature. Comprised of a succession of eerily depopulated, dystopian landscapes from across the world, HOMO SAPIENS offers an at once mesmerizing and chilling vision of what a posthuman future might look like.

A strange man is involved in a village massacre and drug dealing.

Several billion tons of earth are moved annually by humans - with shovels, excavators or dynamite. Nikolaus Geyrhalter observes people in mines, quarries, large construction sites in a constant struggle to appropriate the planet.

The director of an elite boarding school is set on fire in his own bed and dies. Haller investigates covertly as the new music teacher.

Favoriten is one of the most culturally diverse neighborhoods in Vienna and the starting point of Ruth Beckermann’s latest documentary, in which she accompanies a class of pupils from the age of seven to ten. Their ambitious teacher, Ilkay, is determined to create an inclusive, supportive and safe environment for the kids. The majority of children don’t speak German at home, some families are wounded by war experience and many face discrimination. Despite few resources from the educational system, Ilkay gently navigates her class through daily adventures, defeats and victories. The result is an astonishingly cheerful portrait of a small community mirroring the complexities of contemporary European society. The film is an ode to childhood, celebrating the work of educators and lifelong learning in and outside the classroom.

Joana and Valentin Dorek are a married couple going through a crisis. This prompts them to take a trial session with a couple’s therapist. In the therapist’s consulting room they start off with their standard programme: she won’t stop talking and he isn’t even listening. The broken communication between the couple is a real challenge for the therapist. He is almost at his wits’ end when his mobile rings and a surprising message brings chaos into their therapy session.

Giacomo Puccini's immortal opera, in a high budget feature-film version directed by Academy Award nominee Robert Dornhelm, stars opera's 'Golden Couple', Rolando Villazon and Anna Netrebko as the protagonists, Rodolfo and Mimi. The chemistry between them is electric, unrivalled in the theatre today. Russian soprano Anna Netrebko is not only beautiful but has a marvelous voice and technique; Mexican tenor Rolando Villazon, has a wonderful voice and an incredible charisma. The director not only wanted to remain steadfastly faithful to Puccini's design but also document two of the leading singers of the modern age rather than embarking on a 'trendy' contemporary re-creation.