Viti 1909

A man rents an apartment and furnishes it in remarkable fashion.

On a whim, a greedy tycoon decides to corner the world market in wheat. This doubles the price of bread, forcing grain producers into charity lines and others further into poverty. The film contrasts the differences between the lives of those who work to grow the wheat and the life of the man who dabbles in its sale for profit.

The Count sets out to make a private room for him and his Countess, built in such a way no one can see, hear, and most importantly, disturb them. But unbeknownst to the Count, his wife has set her eyes on the court minstrel. Based on Edgar Allan Poe's “The Cask of Amontillado” and Honoré de Balzac's “La Grande Breteche”.

A gang of thieves lure a man out of his home so that they can rob it and threaten his wife and children. The family barricade themselves in an interior room, but the criminals are well-equipped for breaking in. When the father finds out what is happening, he must race against time to get back home.

A pair of young ladies cause trouble at the cinema with their lavish hats.

A smoker falls asleep, and two mischievious fairies play with his pipe. He discovers this, and imprisons them in a cigar box. He removes a flower from the box, which contains a fairy smoking a cigarette. Next, he leaves briefly while his smoking paraphenalia clears itself from the table and the flower reassembles itself into a cigar. He lights the cigar, then breaks a bottle containing the fairy, who interacts with him in various ways reeling from his cigar smoke, building a bonfire that he extinguishes, etc.

Roman emperor Nero is used to getting what he wants. He has grown tired of his wife Octavia, and has become infatuated with Poppea. He succeeds in making Poppea the new empress, but soon he faces opposition from an outraged populace. Informed of the danger of an imminent popular uprising, Nero orders to set fire to the city, which he watches from a terrace, rejoicing and playing his lyra.

In an Indian tribe, a girl escapes from her father and suitor to be with the man she loves.

This might be termed a comedy of errors, for the overzealousness of a lot of good-hearted simple folks places them in a rather embarrassing position. Lillie Green, who keeps a boarding house, receives a letter from her old school chum, Polly Brown, whom sin hasn't seen in years, to the effect that as Lillie has never seen her little darling daughter, she will send her for a few days' visit, asking that someone meet the child at the 3:40 train. Lillie's boarders are a bunch of kind-hearted bachelors, who at once prepare to give the "Little Darling" the time of her life, buying a load of toys, etc., for her amusement, also procuring a baby carriage with which to meet her at the train. You may imagine their embarrassment when they find that Tootsie, instead of being a baby, proves to be a handsome young lady of seventeen, whose tastes run rather to garden gates, shady lanes and quiet nooks, than toys. (Moving Picture World)

During the American Revolution, a young soldier carrying a crucial message to General Washington is spotted and pursued by a group of enemy soldiers. He takes refuge with a civilian family, but is soon detected. The family and their neighbors must then make plans to see that the important message gets through after all.

Mother in law gets a new set of dentures. Despite being initially happy, the family soon discovers the teeth have a life of their own and jump from their owner's mouth and bite everyone who comes near--from ladies to gentlemen to policemen.

While caring for his sick daughter, a doctor is called away to the sickbed of a neighbor. He finds the neighbor gravely ill, and ignores his wife's pleas to come home and care for his own daughter, who has taken a turn for the worse.

An upper class drawing room. A gentleman breaks the curtain pole and goes in search of a replacement, but he stops into a pub first. He buys a very long pole, and causes havoc everywhere he passes, accumulating an ever-growing entourage chasing him, until he escapes them through a bit of movie magic, only to discover that the pole has already been replaced.

Surviving fragment of a longer film. A magician makes a butterfly woman appear, and a woman in a star. Exhausted, the magician falls asleep and the star woman turns into a spider, dragging the butterfly into her web.

The children of a household attempt to capture Santa, but they catch something else entirely.

During the French Revolution, a wealthy couple lives safely by professing republican beliefs. When a mob attacks a nearby chateau an aristocrat bursts into the couple's home. They save his life by disguising him as a servant, but he soon forces his attentions on the wife. Hearing their struggle, the husband intervenes and, stripping the aristocrat of his disguise, thrusts him outdoors to be killed by the mob.

Oh, the woe of simultaneous birthdays, as were Mr. and Mrs. Hardlucks', and both being of a generous nature, were seized with an insatiable desire to make on this anniversary of their nativity suitable gifts, each to the other, Hardluck has a watch, but no fob. Mrs. Hardluck has a wealth of hair, but no decorative comb for her hair. What is worse, finances are low, or rather exhausted. An idea strikes Hardluck. He will pawn his watch and buy a comb; thus surprising her. Mrs. Hardluck's mind is also illumined by a bright thought. She will sacrifice her hair, and with the money buy him a fob. This they do, of course, unknown to each other. Well, here's the situation: He had no fob for his watch, and she no comb for her hair; but now he has no watch for his fob, and she has no hair for her comb. Mack Sennett appears as an extra in this film produced by the Biograph Company.

An early film adaptation of the Bard's comic fantasy-- and perhaps the first screen adaptation of a Shakespeare play.

A man leaves his wife and two daughters for work in a carpentry shop. At work, he initially refuses a beer with lunch, then gives in. After work, two friends take a little while to convince him to go for a refreshing malt beverage, then to have another and another....

"Fine feathers make fine birds", and handsome gowns make handsome women. Hence it is when Isabelle appears on the scene clad in a gown that is a masterpiece of the dressmaker's art she easily fascinates the male contingent, among whom is Enrico, the sweetheart of Veronica, a street singer. Enrico is so enraptured at the sight of Isabelle in her resplendent attire that he becomes her abject slave, casting aside the poor, peasant-clad little Italian street singer, who has loved him devotedly. Crushed almost beyond endurance the poor girl stands sobbing at the entrance of the park where the inconsistent lever left her. Her tears attract the attention of a wealthy young couple who happen to pass. In answer to their queries she tells them how contemptibly her sweetheart acted, and all because of the fascinating influence of a gown.