Les Films de la pluie

“Four unaligned rows, 37 faces turned towards the camera lens. Autumn 1958, a family of Breton peasants in their Sunday best, gathered around the eldest. Smartly dressed for the photo. A modest living honestly earned by laborious work”. This is what the narrator proclaims at the beginning of the film, leading us to see things through his eyes. The photo, taken on the occasion of the golden wedding anniversary of the director’s grandparents, is the catalyst of Ordinary Landscape and the symbol of a way of life that is now gone.

In Toamasina, on the east coast of Madagascar, Saholy runs a small business of pedicabs. She takes care of her drivers as if they were her sons and lets them find with her a home where they get mothered. Tormented with a difficult past, Njaka is looking for his place in the bosom of this big family. At seventeen he knows he must decide his future but lets himself still easily be tempted by girls and smoking joints.