In the 1930s, in the South of State of Bahia, Brazil, an adventurer with no name or history, who has already been shot seven times, gets involved in the battle for land and cacao plantations. His plan is to take the place of "Colonel" Santana, taking his wife and money. He starts a bloody conflict, in which many simple people and landowners die.
In the time of the "cangaceiros" in the badlands of the Northeast of Brazil, the cruel Captain Galdino Ferreira and his band abduct the schoolteacher Olívia, expecting to receive a ransom for her. However, one of his men, Teodoro, falls in love and flees with her through the arid backcountry chased by the brigands.
Two friends take two prostitutes for a night of pleasure. But the night turns out to be frustrating for all involved, as much bitterness is revealed in their conversation and attitudes, uncovering their anguish and deeper feelings, and the emptiness of their lives.
Bárbara, a French girl living in São Paulo, and two friends decide to transform a little apartment into a luxury bordello, "The Palace of Angels", securing money and success, but some problems as well.
OSS 177 goes on holiday to Brazil, but is called into action when he finds himself being stalked by a double.
It is the story of Pedro, who after being passed over by his brothers, wanders the world in search of a better life, but on the way, finds children who eventually conquer it, and in order to help them, he passes scamming other people he met along the way, telling lies, however, always with the goal of helping him new friends. And kills a cow.
Tico-Tico no Fubá is a 1952 Brazilian comedy film directed by Adolfo Celi and starring Anselmo Duarte. It was entered into the 1952 Cannes Film Festival. The film is a fictionalized biography of Brazilian composer Zequinha de Abreu (1880–1935), who penned the song "Tico-Tico no Fubá" that became an international hit in the 1940s.
Isidoro, a poor guy, suddenly becomes a millionaire, and gets into the most bizarre situations.
Candinho is a hillbilly who leaves the countryside, taking his donkey along, and goes to São Paulo, trying to find his mother.
An employee of a glass factory suffers with his wife's contempt and starts to develop homicidal delusions about her. One night, he meets a singer which resembles his wife a lot and conjures up a plan.
Man and woman fall in love while in treatment for TB, in the beautiful town of Campos do Jordão.
Isidoro Colepicula is a humble truck driver hired to transport some furniture from São Paulo to Santos, in his worn out truck he calls "Anastácio". Hiding among the pieces travels a bride who's trying to escape her own marriage. With his dog Coroné, he gets himself into many amusing situations, especially when the packed vehicle is left without brakes on a steep road, and he has to chase after it.
Man finds a job as a dog catcher, but feels sorry for the animals and sets them free.
Márcia discovers that her husband is having an affair and decides to take a trip out into an isolated part of Brazil with little human contact. There she finds a black stallion roaming the fields.
In Sao Paulo , young Sergio works in a bank in which her rich uncle is the president. Using his name to borrow money, Sergio takes a wasteful life frequenting nightclubs and dating the sophisticated starlet 's revues Margo. His uncle refuses to pay the loans and Sergio finds himself in difficulties that lead down a dark path.
This Brazilian film is set during the period of its initial colonial discovery and settlement. The title refers to a word the native peoples used for the coastal lands: "pindorama," or "place of the small trees." A ponderous and grandiose film, it was roundly booed when it was aired at the 1971 Cannes Film Festival.
Caiçara is a 1950 Brazilian drama film directed by and starring Adolfo Celi. It was nominated for the Grand Prize of the Festival at the 1951 Cannes Film Festival.
A poor and beautiful young woman living in the backwoods of the State of Minas Gerais, Brazil is protected by a peasant.
In 19th century Brazil, young people in the State of São Paulo fight against black slavery and the farmers who support it. Against this backdrop, Sinhá Moça falls in love with a young lawyer, and they get involved in a great love story.
