Ryan 2004
Centres on Canadian animator Ryan Larkin, who in later years lived on skid row in Montreal following a history of drug and alcohol abuse.
Centres on Canadian animator Ryan Larkin, who in later years lived on skid row in Montreal following a history of drug and alcohol abuse.
Over the years, a child's romantic ideals about death blossom into necrophilia, the study of embalming and the most profound relationship of her life.
At the height of the October Revolution during the 1919 allied intervention in Arkhangelsk, the exploits of one-legged Canadian soldier Lt. John Boles are told, after he is taken in from the cold by a dysfunctional Russian family and mistakes a local woman for his presumed dead lover.
The mountain-village passions of a German widow and her sons unfold in the style of a 1920s movie.
A poet's muse calls on his inner child to save their relationship.
Scatterbrained Polly gets a job as a secretary in Gabrielle's art gallery. Polly aspires to be a professional photographer, and idolizes Gabrielle for her artistic ability. When Gabrielle rekindles an old romantic relationship with the younger painter Mary, Polly becomes jealous, and discovers Gabrielle isn’t exactly who she claims to be.
Azra is worlds apart from her conservative Muslim mother. When her father suddenly dies on a trip home to Pakistan, Azra finds herself on a Bollywood-inspired journey through memories, both real and imagined; from her mother’s youth in Karachi to her own coming- of-age in rural Canada.
An international team of art restorers and archaeologists begin work on the restoration of medieval frescoes inside a network of ancient caves. Faced with local bureaucratic challenges and systemic neglect of archaeological sites, the team encounters a community of shepherds and migrants that have used the caves for centuries and discover a living culture worth preserving most of all.
A surreal and comic exploration of an office space and its inhabitants and the decorations of a living room.
An emotionally constrained view of the displacement of human feelings in our video saturated society. Van regularly visits his grandmother in a run-down nursing home. His father depends on phone sex for guidance meanwhile erasing family homevideos of happier times with homemade pornography. Will Van rescue his grandmother and memories of his mother in time?
Four young office workers have a bet going to see who can last the longest without going outside. In the maze that is the downtown core of a large city, glass skywalks connect apartment buildings, office towers and shopping malls. Its day 28 of the bet and over the lunch hour, as the office prepares for the company founder's retirement party, things start to seriously unravel.
This documentary features the story of Jules Paivio, the last living Canadian volunteer of the infamous Mackenzie-Papineau Battallion of the “International Brigades”. When Jules left from his home near Port Arthur (Thunder Bay), Ontario, his father, a famous Finnish poet, wrote a lasting lament: “To My Son In Spain”. In 1936-37, 1700 Canadians volunteered to fight with the Spanish people against a fascist coup d’etat led by elements of the Spanish Army. Backed by Musselini and Hitler, the fascists were bent on overthrowing Spain’s democratically elected socialist government and replacing it with military and church rule. It could be argued this conflict marked the true beginning of what would become World War II.
A portrait of a Vietnamese-Canadian family opening up a restaurant and cocktail bar in Calgary's Chinatown, amid the COVID-19 pandemic.
An explorer adventures into an unknown world, yet it seems that he has been there before.
A Day in the Life of a Bull-Dyke follows a big boned butch into skirmishes, drag, and the arms of a beautiful recruit. The public and private lives of this "strange animal" are explored with the reverence and glee found in the educational exposés like Reefer Madness and bad-boy films like Rebel without a Cause. However, because this fictionalized lesbian history is a first-person narrative, it is filled with all the joy, pain, and ambivalence each of us experiences while negotiating a marginalized identity.
Sofia yearns to sing with the heartbreak voice of the ranchera singers she admires. One day, she receives an unexpected invitation to visit the mysterious "Paloma Negra" bar. There, she is shocked to see her favourite singer, Pieta, who had all but disappeared at the height of her career, singing to the sad souls in the bar. Sofia gathers her courage to sing for Pieta, only to be told that her voice is devoid of the suffering and heartbreak necessary to sing the songs. Determined to fill her voice with the necessary pain, she learns a hard, but valuable lesson about the reality of heartbreak.
Fleeing to Tokyo with the hopes that she can fulfil her dream of becoming a dancer, Yume is met with the harsh reality that success isn’t something that comes quickly or easily. Whilst juggling her job as a hostess in Tokyo’s red-light district, Yume throws herself headfirst into studying the artform and integrating herself into the underground dance community.
Inspired by the early trash films of John Waters, the film stars Estdelacropolis as Demira, a gay porn actor struggling with both his emotionally complicated relationship with his mother Esther and his desire to break out of porn and into mainstream movies. He connects with a Freudian psychiatrist who is convinced that his homosexuality stems from an unresolved Oedipus complex which he has repressed by denying his natural attractions to women, to which the psychiatrist's proposed solution is to hypnotize Esther into believing that she is a man so that men will become the gender that sexually repulses Demira; in his career, he is ambivalent when the first "mainstream" role he is able to land is a gore film in which he will play the victim of a cannibal family for which Esther has also been cast as the mother.
This unique narrative incorporating documentary elements follows Rey, a 40-year-old non-binary teacher and typhoon survivor, on a roadtrip to fame. With surreal comedy and social portrait realism, filmmaker Seán Devlin explores climate change, LGBTQ+ issues, and the impact of colonialism on contemporary Philippines.