Pontificia Universidad Católica de Chile

A non-binary folk watches the handover of the first non-binary ID in the history of Chile. As they try to do the paperwork, they will face the bureaucracy of the legal proceeding.

In a fishing village contaminated by a thermoelectric power plant, Mecha (33) is the grieving soul of an environmental activist who died under suspicious circumstances. The day after his death, she tries to reconcile with her son Juan (16) and to make him take charge of her memory.

In the middle of a blackout, the night before his father's funeral, Felipe arrives at his mother's house after a nine-year absence. There he waits with his sister, his aunt and the maid, with a dinner made especially for him. Although Felipe only is coming for a short time, his mother and sister will draw him back to the house he once left.

Lucía (16) reunites with her sister Ema (17) after years apart. A journey through their rural birthplace brings present and past together, leading them to a difficult truth.

Manuela (14) and Toña (15) are caught in their school bathroom giving each other a hickey. After being suspended for the day, both embark on a journey through desire, guilt, and goodbyes in the city's outskirts.

Jorge, a 75-year-old retiree, spends his days watching television on the bed in which his wife died. His family tries to convince him to get the bed out of there, without receiving an answer from Jorge. Finally Jorge will embrace the most vulnerable side of him by deciding that they can take the bed.

Ermina is a Haitian girl who lives in the "La Victoria" town, on the border with the "Lo Valledor norte" town. Although this seems an inhospitable place to live -Ermina and her friends- it will make it the best place in the world, a place where nothing matters: neither color, nor nationality. A place that does not belong to anyone, but which is Ermina's home.

To process grief, a young adult revisits fragments of their late grandmother’s life to restore the version of their own inner child when she still remembered them.

Francisco (21) discovers that his brother Tomás (26) has been accused of sexual abuse through social networks. As Tomás's birthday approaches, Francisco will have to make a decision regarding the accusation.

Gabriel Borquéz, an adult man who lives alone in an isolated house, where he hides after shooting his little son in the woods. Guilt twists his reality, causing him to hallucinate and messing up events. His salvation is to leave his consciousness, represented as a hallway in his home. He fights against self-destructive situations that damage his physical body, but ultimately succumbs at the hands of a creation of his mind, a personification of death and himself.

Two women are traveling through a coast road, evading the pain left behind. The trip is interrupted when they see an old lady running at one side of the road, in front of the car. This encounter marks the beginning of the rest of their lives.

Jaime, who’s been away from the city by his own free will, invites his family to watch an eclipse at his house on the mountains. The tensions in the group are apparent, but they slowly vanish, reaching the most transparent moment among the eclipse’s darkness.

In a dystopian Chile, during Pascual's birthday (18), his friends come up with a game: to do a panty hunt in the building where the single women have just arrived. Pascual cheats to avoid hurting a woman and is discovered by the 19-year-old Zángano, who threatens him by telling him that if he doesn't hurt a woman, he will hurt his younger sister Olivia, aged 12.

José (81) and Luz (70) receive an offer for the sale of their house -a place where they have lived all their lives- and that they are not willing to accept. Both are faced with different situations in which it seems that making a decision is increasingly imminent.

Laura turns 21, but she is no more. Through a secret ritual, Violeta and her cousin Sofia (12) strive to communicate with her after her death. In her passage to adolescence, Violeta enters a world of goodbyes.

Short film that narrates in an educational way the processes of developing wicker and clay crafts. The film is based on the experience of a character who tells a story to his nephews. Work carried out as part of the documentary series "Andanzas de un Chileno".