La Sept

Two disc jockeys have a friend's murder to solve in the fringe-group melting pot of 1977 London.

Jeanne d'Arc has succeeded in lifting the siege on Orléans and Charles VII has been ordained King of France. However, she is injured in her failed attempt to take Paris, weakening her position at court. When she is finally captured and put on trial, she finds both her life and the sanctity of her body at stake.

A fanciful biopic of legendary conductor Arturo Toscanini as a very young man.

Joa (Bulle Ogier), an archaeologist from Mexico, comes to Paris in search of her sister Anna (Mireille Perrier), of whom she is suddenly without news. Anna, a theater actress, was in the title role in Sade's "Justine" when she disappeared. The investigation leading Joa to the people who have known her sister, turns into an initiatory quest. Her journey, her stroll through a subterranean marginal Paris, leads also to the emergence of a new woman.

Convinced that only she can lead France to victory against the invading English, Jeanne d'Arc leaves her childhood home to plead Charles, heir to the French throne, to allow her to guide his troops on the battlefield.

Dah and Jocelyn come from former French colonies to coach their rooster, "S'en fout la mort", for an illicit cock-fight in the basement of a restaurant.

Documentary about African political leader Patrice Lumumba, who was Prime Minister of Zaire (now Congo) when he was assassinated in 1961.

A very personal look at the history of cinema directed, written and edited by Jean-Luc Godard in his Swiss residence in Rolle for ten years (1988-98); a monumental collage, constructed from film fragments, texts and quotations, photos and paintings, music and sound, and diverse readings; a critical, beautiful and melancholic vision of cinematographic art.

A very personal look at the history of cinema directed, written and edited by Jean-Luc Godard in his Swiss residence in Rolle for ten years (1988-98); a monumental collage, constructed from film fragments, texts and quotations, photos and paintings, music and sound, and diverse readings; a critical, beautiful and melancholic vision of cinematographic art.

At the end of the nineteenth century, an army force led by Major Mouzinho de Albuquerque, a cavalry officer, imprisoned in Mozambique the tribal chief Gungunhana, who had rebelled against Portuguese government and sovereignty. Mouzinho instantly becomes a national hero but his raising popularity worries the State.

One of the last productions for Diagonale, before De sueur et de sang, the feature film with which Vecchiali would close the cycle of the French production company.

Leaud portrays a Parisian publisher of romance novels who hits on the gimmick of having his live-in girlfriend (carrot-top cutie Helene Lapiower) pose as author Rosine de Beaumont for book jacket and autograph signings. She's an immediate hit but rebels against being exploited, and throws Leaud out of their apartment. Complications occur when she meets a nerd (Rufus) claiming to be the book's author, leading to discovery of the real author (Thierry Fortineau), a bookseller who"s so happy to be in print at last that he's not to miffed at the deception. Climax shot at Charles de Gaulle Airport neatly weaves plot threads together for a blissfully happy ending.

A young girl is deprived of her baby: her descent into hell begins. Still in high-school, Agnès leaves her alcoholic father, finds a boyfriend and gets pregnant. Giving birth to a baby boy, deprived of him by her her stepmother, left by her boyfriend, she find shelter by junkies friends and subsequently turns to prostitution under the name Sabine only to become HIV-positive. In her diary, the young woman recounts her fight against the disease without ever sinking into despair.

Events in an idyllic African village are shown in detail in the period just before logging trucks come in and cut down the forest around the villagers, forcing them to move into the wretched shantytowns that surround major cities throughout the undeveloped world. Despite the familiar premise, this surprisingly unsentimental film by Georgian director Otar Ioselliani has several things going for it, beginning with the cinematography and including the natural and unaffected (non-professional) performances of the villagers.

Sylvain Berg, a "professional" unemployed who spends his time hiking and mountain climbing, and "model" bank employee Benoît Constant, who has just been fired and does not want his wife to find out, both find themselves in Françoise Duru's office at an employment agency. Françoise is secretly in love with Sylvain, so in order to keep him close she convinces her employer to give Sylvain a job he doesn't want, instead of Benoit who not only wants it but also has the right qualifications.

Two retirees obsessed with their desire to know everything put their knowledge into practice in a constantly awkward way.

A two-part documentary made for French TV about Georges Perec, directed by his former partner Catherine Binet. It features a mixture of archival footage, scenes from Perec’s films and to-camera readings of excerpts from his work by various actors and friends of the author (Michael Lonsdale, Marina Vlady, Alain Cuny, Sami Frey, Edith Scob, Harry Mathews and others).

Vincent, a young Swiss, is upset by his meeting with the city of Lisbon. He will meet two persons: a prostitute of high flight and a great writer fallen and suicidal.

This fairy-tale-like drama, based on a 1904 short story by American poet and feminist author Renée Vivien, tells two opposing versions of the same narrative: one told verbally by Pierre Lenoir, a male narrator at a Victorian dinner party; the other told visually through the behavior of an unnamed woman who meets him on a fantasy cargo boat. The intercutting of the two stories creates a tension between the different world views of the woman and the man.

May, 1946, in Paris young poet Jacques Prevel meets Antonin Artaud, the actor, artist, and writer just released from a mental asylum. Over ten months, we follow the mad Artaud from his cruel coaching of an actress in his "theatre of cruelty" to his semi-friendship with Prevel who buys him drugs and hangs on his every word. Meanwhile, Prevel divides his time between Jany, his blond, young, drug-hazed mistress, and Rolande, his dark-haired, long-suffering wife, who has a child during this time. Cruelty, neglect, poverty, egoism, madness, and the pursuit of art mix on the Left Bank.