Pablo, professor at the University of Buenos Aires, has an affair with Luciana, one of his students. Natalia, another professor at the University of Buenos Aires starts an affair with her student Gonzalo. Two stories, as two sides of the same coin.
Ignacio embarks on a trip driven by the coincidences that bring together the news that his young girlfriend is pregnant and an invitation to a seminar in Chile almost simultaneously.
Maria is a girl in her early teens whose family lives in an upscale gated suburb. Maria's parents are going out of town for a week, and rather than leave her with relatives or hire a babysitter, Maria is put in charge of looking after her little sister Sofia, with housekeeper Esther serving as a nominal adult authority figure, though for the most part she lets Maria and the others do what they please. With only their parents bedroom off-limits, Maria and Sofia have the run of the house, and soon they and their friends Facundo, Quique, Rodrigo and Timmy are spending their days exploring the place. As the kids begin creating their own rules to run counter to the ones their absent parents set down, Esther brings a young relative, Fernando, to play with them, and the privileged kids begin to get a notion of the ways of the outside world.
Two mismatched cousins take a road trip to visit family.
Tensions rise when a doctor (Daniel Veronese) pressures his teenage son to follow in his footsteps.
Robert Law is 30 years old and lives with the obsession of giving his first kiss and breaking a world record. While taking care of a house in the suburbs of Buenos Aires temporarily, he runs into Laura who accidentally steps on Robert's hand, and unbeknownst to her he decides to follow her through the streets and they strike up a strange friendship, deciding to beat the world record with her.
By chance, Martin and Laura travel to Villa Gesell at the same time. They are not together anymore but 18 years ago they conceived their son, Pablo, there. Soon, situations as absurd as they are touching will arise from their encounter. Juan Villegas ventures into comedy and is back at Bafici with a nostalgic, intimate film.
Student council elections are about to be held at a school in Parana, Argentina and the two main parties are putting the finishing touches to their campaigns. As they present their positions to the student body, all the elements of political grandstanding are present and correct: quibbling over slogans, circular rhetoric, the benefits of an attractive candidate and the inevitable final mudslinging.
