Playground Produkcija

One Woman, One Century is a documentary film based on statements, interviews, and reconstructions of real-life events. The life story of Dragica Srzentić casts light on a number of events and people relevant to Yugoslav history before and after the Second World War. The film’s look at the century-long life of this woman-hero provides insight into the rarely mentioned segments of the ex-Yugoslav intellectual and ideological maze that traverses all the states in which this Istrian-born woman lived (Austria-Hungary, Kingdom of Italy, Kingdom of Serbs, Croats and Slovenes, NDH, FNRJ, SFRJ, Croatia, and Serbia).

Illegal immigrants and asylum seekers in Serbia, placed in asylum centers after their dramatic journeys from war-torn and poverty-stricken areas of North Africa, Near and Middle East go through a period of adaptation to life and social circumstances in Serbia. In most cases, however, their goal is to reach one of the EU countries. Docu-drama is a space for them to, beside the socio-political context in which they found themselves, show their individual values, becoming heroes that viewers can identify with and whose destiny and struggle they can understand.

A mixture of documentary and fiction examines the new god of Capitalism offered to the Serbs with the ending of state socialism. We look at a number of strikes in Belgrade during the late 2000s and these introduce us to several characters playing themselves. Employees dressed in American football helmets and pads square up with employers' heavies in their bullet-proof vests, resulting in explosive situations. A visit from the Russian tycoon's representative and vice president Joe Biden's arrival further complicates the proceedings.

Against the backdrop of Cold War, Glory to the Queen reveals stories of four legendary female chess players from Georgia who revolutionized women’s chess across the globe and became Soviet icons of female emancipation.

Pirika travels to Berlin to visit her daughter Dobrila and her grandchildren, whom she's never seen. Dobrila, a lesbian, avoids her mother, however, because she doesn't want to tell her the full truth about her children. Everything is resolved at a German film retrospective, where Pirika plays the role of her life. A docudrama about the autumn of life of one of the leading protagonists of Zilnik's film Early Works.