Canal Brasil

Mexico City, November 1901. The police raid a private home where a secret party is being held. Among those attending is the son-in-law of President Porfirio Díaz.

Palermo, Sicily, 1980. Mafia member Tommaso Buscetta decides to move to Brazil with his family fleeing the constant war between the different clans of the criminal organization. But when, after living several misfortunes, he is forced to return to Italy, he makes a bold decision that will change his life and the destiny of Cosa Nostra forever.

Bacurau, a small town in the Brazilian sertão, mourns the loss of its matriarch, Carmelita, who lived to be 94. Days later, its inhabitants notice that their community has vanished from most maps.

Rio de Janeiro, Brazil, 1950. In the conservative home of the Gusmão family, Eurídice and Guida are two inseparable sisters who support each other. While Guida can share with her younger sister the details of her romantic adventures, Eurídice finds in her older sister the encouragement she needs to pursue her dream of becoming a professional pianist.

City of God – 10 Years Later investigates what happened to the actors who took part in the award-winning film directed by Fernando Meirelles and Katia Lund. This documentary shows what City of God’s worldwide success meant to their lives. Were the actors prepared for the film’s success? Did the social background of some of them prove stronger than the opportunity that came their way?

In 2027 Brazil, civil servant Joana mainly deals with divorce cases. As a member of a branch of evangelical Christians known as the Divino Amor group, she uses her position to offer a kind of physical therapy to couples who want to separate. Although Joana and her husband Danilo regularly consummate their marriage, neither her constant prayers nor any other methods of assistance seem to be able to fulfill their desire for a child.

Stênio, the nightshifter of a morgue, has the ability to communicate with the cadavers that are brought to him every night.

By day, Mari and her friends broadcast their spiritual devotion through pastel pinks and catchy evangelical songs about purity and perfection, and by night they form a vigilante girl gang, prowling the streets in search of sinners who have deviated from the rightful path. After an attack goes wrong, leaving Mari scarred and unemployed, her views of community, religion, and her peers begin to shift.

The Martins family are optimistic dreamers, quietly leading their lives in the margins of a major Brazilian city following the disappointing inauguration of a far-right extremist president. A lower-middle-class Black family, they feel the strain of their new reality as the political dust settles. Tércia, the mother, reinterprets her world after an unexpected encounter leaves her wondering if she’s cursed. Her husband, Wellington, puts all of his hopes into the soccer career of their son, Deivinho, who reluctantly follows his father’s ambitions despite secretly aspiring to study astrophysics and colonize Mars. Meanwhile, their older daughter, Eunice, falls in love with a free-spirited young woman and ponders whether it’s time to leave home.

Iremar works at the rodeo in North East of Brazil. From his home, the truck he uses to transport the animals, he dreams of a future in the region's booming clothing industry.

Dayana lives an abusive marriage with former police officer Elias, owner of Motel Destino. When 21-year-old Heraldo finds himself at the motel after messing up a hit and going on the run, Dayana finds herself intrigued and lets him stay. As the two navigate a dance of power and desire, a dangerous plan for freedom emerges.

A woman moves back, from São Paulo to her hometown Rio de Janeiro, to support her husband's job. On their new residence, she forms an unlikely bond with her young neighbor based on their past memories, sadness and loneliness.

Borderless Love is a romantic comedy about two couples - Pedro and Joana, Brazilians; Martin and Pilar, Argentines - involved in an involuntary couples exchange. Pedro and Joana turn a blind eye to each other's infidelity. Their daughter, Paula, a jealous teenager, distrusts the father and ends up discovering his case with Pilar. Pedro opts for the family, but without his lover, he becomes a burden at home. Tired of her husband's depression, Joana asks Pilar to return to be Pedro's lover. In the end, everyone's life takes on new paths, but they remain united. Borderless Love is a fun and romantic journey of self-knowledge in the lives of these characters.

Dé, Adrianim and Martins are three black teenagers from Chatuba, Rio de Janeiro. When Dé receives the news that Almerinda, his grandmother, is in the terminal phase of Alzheimer's disease, he decides to enjoy the last days of her life together with his two best friends.

Besieged by cancer and nearing the end, the genius Argentine-Brazilian filmmaker Héctor Babenco (1946-2016) asks Bárbara Paz, his wife, for one last wish: to be the protagonist of his own death.

Experience Roque's routine years after the first movie. Joana's tenement is still full of parties, gossip and confusion. The neighborhood prepares for the Iemanjá party, while dealing with the controversies of the neighbors.

Nothing Like Before delves into the creation of the Clube da Esquina Album (Brazil, 1972). Considered by many music critics one of the best albums of all time, it presented to the world musicians like Milton Nascimento, Lô Borges, Toninho Horta, Beto Guedes and Wagner Tiso.

Three brothers find themselves sharing a home with the alluring new wife of the middle sibling. As they become infatuated with the same woman, a complex and enthralling tale ensues in this tropical paradise.

Down on his luck and recently divorced, Paulo has begun driving a cab around Rio, hoping he’ll make enough to send his ex money to support their ten-year-old son. He mostly works nights, so in addition to his encounters with a colourful variety of customers, colleagues, cops and others, he must cope with loneliness, fatigue and new faces in his life.

Two tales of migration. In the first, after a tailings dam disaster floods her hometown, rural worker Joana (55) moves to São Paulo to find her sister Tania, who lives with her grandson Jaime. Joana enters the universe of insecurity, replying to an application for house cleaning. She bonds with her colleagues, and their struggle for better conditions gives Joana’s life a new meaning. Her relationship with young Jaime brings back old memories. In the second part, after the death of her estranged father, Flavia (32) moves to her farm with her wife Mara. The couple suffer a shock of reality when facing the harshness of rural life. The contact with the abandoned house reveals to Flavia unknown aspects of her father. She begins to suspect that there is something supernatural in the woods.