Jean, a young French hooligan, is sent on a forced vacation to his grandfather Evald, who lives in the Slovenian countryside. Despite Evald's warm welcome, Jean remains quite withdrawn, speaks only French with his grandfather, and coldly rejects his lifestyle, which is mainly devoted to tending the orchard and selling apples on the local road. While they struggle to get used to life together, frost is slowly approaching Evald's orchard.
A traumatic event – a sudden suicide attempt – opens a gap in the everyday life of a family of three. Their lives change fundamentally, as if they've been pulled into a war invisible to everyone else. The plot is limited to the most acute, a short period of time and a situation that boils down to the most important thing – to save a loved one. The film was based on the personal experience of the director, who also plays the leading role.
Leo is an Italian who lives in Slovenia. Vučko is a Bosnian who arrived to Slovenia as a child refugee. Leo continues to stay in Slovenia because of his ex-wife Tanja and his son Luka, hoping that they can become a family again. When the bank refuses to grant a loan Leo and Vučko would need to renovate their restaurant, they have no choice but to accept an offer from Gianni, a swindler. They are tasked with stealing Gianni’s truck so that he can collect the insurance money. However, instead of stealing Gianni’s truck, Leo and Vučko mistakenly steal a truck full of refugees. Vučko the refugee and Leo the migrant themselves thus inadvertently become responsible for destinies of people similarly unfortunate as they had once been. In order to solve their financial problems, they decide to sell the refugees. At first it seems that they are not indifferent towards these people, but with each passing day there is less and less humanity left in Leo and Vučko.
Sarajevo Safari, a documentary by Slovenian director Miran Zupanic, uncovers little-known shocking details about the Bosnian War of the 90s. The film is about rich foreigners who paid money for the opportunity to shoot civilians in the besieged capital of Bosnia and Herzegovina from the positions of the Serb army. The film showcased at the Al Jazeera Balkans International Documentary Film Festival garnered great interest.
Stunning stories from the unusual life of the Ural owl, a mysterious nocturnal predator that can fearlessly attack even humans. Set over a period of just over a year, 'Fearless Queen of the Night' provides an extraordinary insight into the life of one of the largest European owl species.
An animated-experimental film which, in accordance with the process of creation – the chemical and thermomechanical processes – features coincidences as its immanent part and thus tries to surpass the conventions of traditional animation and narration.
While helping his father with the family business, a disgruntled teenage boy is stuck on a small boat with an older tourist. As the boy anxiously waits for his father to return with the daily catch, the tourist starts making lewd suggestions.
We were following the term of US First Lady, Melania Trump, for four years in her hometown in Slovenia. Her former friends and people who knew her remember her with admiration and in a critical way. Some even want to meet her. Who is this enigmatic and elusive person?
An intimate portrait of the family of Jure Šterk, the first Slovenian to sail the globe alone.
Underpaid and undermined, a Slovenian village pastor pours her heart and raw personal trauma into ministering to her parishioners. But as the cracks in her private life deepen, the woman beneath the collar must choose between true faith and real healing.
Liza, an ambitious pianist, plays the piano for an older, successful man, Marko, while he has sex with other women. Apart from the mysterious concerts, Liza's life is a lonely routine of estranged relationships. Liza looks out of the window at the life she has never had and seeks an escape from her loneliness in Mark.
In a distopian future few shoemakers are working under an all seeing eye of the factory owner.
A Slovenian horror short.
A musical-documentary film about five high school students from Koper who drove Yugoslavia crazy in the late 1960s. Despite a handful of their own original compositions, they filled halls and football stadiums with more than 10,000 visitors. The Ljubljana Exhibition and Convention Center and the Tivoli Hall were opened in Ljubljana. They laid the foundations of the Yugoslav music industry. The Kameleoni pulled back the Yugoslav Iron Curtain and helped the entire generation break free from the shackles of ideological and cultural post-war monumentalism.
Rajko is a professional magician who breaks his arm during a performance, but because of a bureaucratic error, his insurance company refuses to pay his claim. Outraged by the injustice, the insurance agent Marcel arranges a meeting with the head of Tangenta. But, in a fit of anger, Marcel unexpectedly kidnaps the CEO and soon, they are on the run together.
A woman who killed her man has served her sentence. She sails through town; she sails through scenes of life. A girl sees her, forgives her, and saves her. The woman has done her thing. The world finally embraces her again.
A hunter heads out to the mountains to mend his broken heart. On his way he can’t escape the visions of his lover who left him. As he loses his mind, his dark side comes to life. The shadow tells him to hunt down the mythical Goldhorn and ultimately leads him to his demise. Based on a Slovenian folktale, this is a story about greed and our relationship to nature.
A middle-aged man, wandering around the dark music clubs of Ljubljana, meets an attractive girl and together they go to her home. When everything goes as he imagined the girl asks for a favor.
A documentary on the youngest group of the unemployed, aged 16–23, follows the lives of six unemployed young people having the status ZERO. The aim is to show to the public the not so rare situation of being considered an outcast.
All Vida wants is a baby. Instead, she is trying not to lose her mind as she juggles the men in her family - her sexist grandfather, her infertile husband, and her dad, a man-child.
