The film begins with a flashback from the titular character, Antoine. We are introduced to his fixation with female hairdressers which began at a young age. The film uses flashbacks throughout and there are frequent parallels drawn with the past. We are unsure what Antoine has done with his life, however, we know he has fulfilled his childhood ambition, to marry a hairdresser.
A look at the last few days of in the life of composer Frédéric Chopin's professional life.
More than just an abbreviated form of "La Belle Noiseuse", Rivette re-cut his footage with some important differences in point of view - this one being more from Marianne's point of view
Marie has always been somewhat independent and is considered by some to be a bit of a tomboy. Though she is not quite a teenager, her photographer father has no qualms about leaving her alone for a while when he has to go off on an assignment. One day, while she is walking along, she gets run down by an automobile. The contrite woman driving that car sees to it that she is all right, and before long the two of them have become fast friends. Lilas, the driver, is a prostitute, and she discovers that she has a thing or two to teach the kid about femininity and men. Before long, the precocious youth is trying out her newfound powers of seduction on a family friend.
Emile Michel, Lapland, orphan, is obliged to bring back within the tribe the ancestral totem: a gold plumb line "borrowed" formerly by his grandfather Raymond Michel. His quest will take him aboard a floating boat that crosses Baffin Bay in the icy waters of Greenland.
Much against his will, Aurélien Brada is put in charge of a cute orphan girl and her cute dog.
