Ulysse Productions

When a cynical journalist accepts a wager that he won't survive the night in a haunted castle, it unlocks an odyssey of sexual torment, undead vengeance, and a dark seductress who surrenders the gravest of pleasures.

Love at Twenty unites five directors from five different countries to present their different perspectives on what love really is at the age of 20. The episodes are united with the score of Georges Delerue and still photos of Henri Cartier-Bresson.

Five swindle stories, taking place in five international cities: Tokyo, Japan ("Fumiko's Five Benefactors" by Hiromichi Horikawa); Amsterdam, The Netherlands ("A River of Diamonds" by Roman Polanski); Naples, Italy ("The Road Map" by Ugo Gregoretti); Paris, France ("The Man Who Sold the Eiffel Tower" by Claude Chabrol); and Marrakesh, Morocco ("The Confidence Man" by Jean-Luc Godard). Godard's segment was not included in the original French cinema release, and Polanski's segment was not included on the 2016 home disc release.

A cowboy goes to help out his friend, who has been falsely accused of murder. The two find themselves in the rugged and mysterious Pallidi Mountains, where they come up against an outlaw gang that is searching for a buried Inca treasure, which is guarded by a lot Inca tribe.

Barcelona, 1967. Hans Fromm, a German-born architect, lives an well-ordered everyday life. He has become the target of an antifascist death squad though. Indeed their leader, Julius, whose brother was killed by Schmidt, a merciless S.S., believes, without being absolutely certain, that Fromm and Schmidt are the same man. The team, whose other members are Georges, the son of a deportee liquidated by Schmidt craving for action, Raphaël, a mercenary type, Nils, the photographer and Romain, watch Fromm's every move until Julius, convinced at last that the quiet German is their man, gives the green light for the operation. They manage to lure the former Nazi to an old house but Schmidt/Fromm won't let himself be captured so easily...

A theatrical director's relationship with his aspiring actress girlfriend begins to unravel when she fails to land a role in his play.

The underworld (imaginary and real) of Paris, depicted through several sketches. Kaleidoscope of the immoral and nauseating aspects of the capital.

This drama's main asset is Charles Boyer as Pierre, a father out looking for his son one night. Pierre receives a call from a woman who says she will kill herself because of his son. Naturally disturbed at this news, Pierre takes off to find his son and avert disaster. Along the way, he picks up a malcontent, wealthy young woman who decides to stick with him and help him look for his son. After traveling through some of the worst aspects of Paris' demi-monde, Pierre begins to wonder if his son will ever be found. Meanwhile, the relationship with his newfound wealthy friend is heating up.

Walter, a reporter and photographer, meets Catherine in a train. The young lawyer recently gained an acquittal for a man who killed his alcoholic father to save his mother. Campaigning against alcoholism, she asks Walter to help her unmask a wine merchant engaged in shady practices.

Armand seduces one woman after the other. However, he is supposed to consolidate his family's finances by marrying Amelie, a bankers daughter.

An exposé of the sexual revolution.

Features gourmets chowing down on bats, voodoo practitioners, a chap who has a fetish for being covered in bees and a gal who has the Eiffel Tower tattooed on her behind so she can sell the skin at a later date. These choice cuts are interspersed with the usual parade of prostitutes, transvestites and strippers.