J'accuse 1919
The story of two men, one married, the other the lover of the other's wife, who meet in the trenches of the First World War, and how their tale becomes a microcosm for the horrors of war.
The story of two men, one married, the other the lover of the other's wife, who meet in the trenches of the First World War, and how their tale becomes a microcosm for the horrors of war.
The story of Jesus Christ, from the proclamation of His Nativity to His Ascension into heaven. Impressive staging and beautiful hand-coloring distinguish the film from its Passion-play counterparts; Its scale and dynamic crowds prelude the Italian epics to come.
An enthusiastic young couple is astounded with modern technology's giant leaps in the fascinating field of electricity.
A convicted criminal dreams about his past the night before his execution.
Pathé film number 380, also known as "What Happened to the Inquisitive Janitor" (US) and "Peeping Tom" (UK). It should not be confused with its remake from 1905 also titled What is Seen Through a Keyhole, a film now considered lost. As a janitor is cleaning a hotel, he decides to peek through the keyholes to observe some of the guests in their rooms. In room 8, a woman is busy making herself look more attractive, and the janitor enjoys watching her. There are also some interesting things going on in the other rooms on the floor.
A group of travellers go into a house for protection. Little do they know, it is filled with ghosts who make unusual things happen to them.
The story begins with Jean Valjean as a humble worker endeavoring to provide for his invalid mother. They live in a squalid home, made more wretched by his inability to provide sufficient food. He goes out in search of work, but is unsuccessful. Finally, in desperation, he steals a loaf of bread regardless of consequences. He hastens home with it, pursued by a crowd, and gives it to his mother. Valjean is arrested for the theft and sentenced to five years at hard labor.
A demonic magician attempts to perform his act in a strange grotto, but is confronted by a Good Spirit who opposes him.
A pig dressed in fancy clothes flirts with a pretty girl, but she humiliates him and tears off his suit; she then makes him dance for her affections.
The first scene presents before the astonished eyes of the spectators a solid piece of marble, which the minute it is placed on a table seems to take life, and one can follow a snake-like line branding on the polished face of the stone the name of the house of Pathé Frères. As soon as this stone has been engraved, as by magic, a handsome young lady appears with a huge lump of clay covered with a cloth. As soon as the cloth is removed from the soft mass it starts whirling and turning as if stricken mad, and one is asking one's self what all the contentions are going to lead to, when the vague shape of an animal not yet discernible seems to appear, and before one has time to make one's mind as to the category of brutes to which it belongs one sees the form of a remarkably well made orang-utan modelled out of the clay, who calmly smokes his pipe. Then the statue is removed by the same winning young lady and another covered block of the same substance is carried forward.
A family troupe of acrobats, made up to appear Japanese, perform various unbelievable stunts in front of the camera, achieved through a trick of the camera.
A dramatization of the uprising in Odessa, Russia in 1905: A ship's crew, tired of being mistreated, mutinies and takes over their ship. When they reach land, a sailor who died during the mutiny is made a martyr, inspiring an uprising in the city. Then the authorities decide to repress the revolt with a brutal show of force.
The film portrays the events on the day King Henri III of France arranged for Duke Henri de Guise to be murdered.
Segundo de Chomón's remake of Georges Méliès' A Trip to the Moon.
An entomologist guilty of trying to capture rare insects is condemned to be pinned on a giant cork.
Based on the story of "Sleeping Beauty" by Charles Perrault. Titles read: The Christening of the Princess; The Good Fairies Fatal Prediction; The Royal Edict; The Princess is Sixteen Years Old; Searching for the Princess; The Prediction Comes True; Thou Shalt Sleep for a Hundred Years; A Hundred Years later the Prince Charming Goes Hunting; Prince Charming Dismisses His Escort; The Castle of Sleep; The Guard's Hall; You Have Been a Long Time Coming, prince; The Wedding of the Sleeping Beauty to Prince Charming.
Adapted from Hugo's eponym novel, the story concerns a Guernseyman named Gilliatt, a social outcast who falls in love with Deruchette, the niece of a local shipowner, Mess Lethierry. When Lethierry's ship is wrecked on the Roches Douvres, a perilous reef, Deruchette promises to marry whomever can salvage the ship's steam engine. Gilliatt eagerly volunteers, and the story follows both his physical trials and tribulations.
Devilish looking man dances with a dress in his arms. The dress stands up by itself and a woman magician appears in it. She conjures six women and then makes them disappear. She magically changes into men's clothing and lines up six boxes which begin to smoke and produce six women, whose clothing transforms from formal gowns to ballet dresses. The magician makes them disappear. She then lines up six glasses on a table, and, as she pours wine into them, a woman appears in each glass. She makes the wine go back into the container and everything on the table goes up in smoke. She transforms her clothing into a dress, then disappears, leaving the dress standing on its own. The devilish man reappears, turns the dress into torches, then disappears into smoke with the torches. (Library of Congress)
A 14-episode silent adaptation of Alexandre Dumas' The Three Musketeers.
This Gaston Velle movie from 1904 was a fairly venturesome piece of film-making for the era. First, its credits include Jules Verne: his second after the Méliès TRIP TO THE MOON a couple of years earlier. Second, it uses a dozen cuts, irised lenses -- the balloonists' views through their telescope -- panning shots, combined images and tints. The tints were standard for the era, but everything else had to be achieved with great difficulty. In an era when most movies still lasted a minute with a stationary camera and a single set-up, this was pretty much state of the art.