A Mossad agent competes with a CIA agent in a war with a terrorist organization that threatens to blow up the world with cell phones. If they fail in their mission, the head of the Mossad will not be able to light a torch on Independence Day on live television, which is forbidden.
Eid, a young man from Rahat, was sexually assaulted as a child and dreams of creating theater. When his parents arrange his marriage against his will, he fights for his freedom and dreams within Bedouin society.
A rap opera that takes place in the world of film noir - on a stormy night Sarah Bennett arrives at Detective Joe's investigation office. She asks him to find her missing sister. Drunk Joe initially waves her off but something about Sarah touches him and he finally agrees to investigate the case, knowing that nothing good will come of it. Jack, Joe's partner, doesn't like it and feels something is wrong. Joe realizes that behind the whole affair is the city's biggest criminal that no one wants to mess with, and on top of all that, Sarah disappears. Now Joe must solve the problem. All dialogues are rhymed and sung on the beat.
A childless young ultraorthodox couple faces a crisis after a traumatic treatment for barrenness. When the difference between good and bad is unclear, the family must deal with unresolved secrets that raise fundamental questions about religion and faith.
Mira Segal wakes up screaming one morning to discover that her husband has disappeared. The police open a Missing Person file and advise her to wait. As weeks turn into months, Mira continues to search for him while exploring her own desires and the guilt of not wanting him back.
Rudolf Ferdinand Hoess - The Kommandant - Auschwitz's death camp notorious commander, responsible for the mass murder of millions of people, gets interviewed by the Polish Prosecutor Albert Piotrowski. Hoess has become one of the most notorious figures of the 20th century. His character symbolizes, more than any other, the highest degree of evil mankind has ever reached. The film pictures the interrogation of Hoess and his full confession to the mass murders he ordered in the name of the Nazi Regime.
Imagine that you are a renowned chemist, who invents a legal psychoactive drug. Imagine that you push it as a start-up and become the most notorious drug baron of the 21st century. Imagine that all of this is true. How to make a documentary out of this unbelievable story? Let’s animate it, give it rhythm and take the audience on a journey where the high-tech world and academia meet the fauna of the Haifa underworld.
Nora built a shelter in a rural village, where she lives with 500 fruit bats, a gang of turkeys all named Hertzel, a mayna bird named Itzik and her beloved dog Koper. Isolated from society, she is helping the bats and every other animal that crosses her path. She soon discovers that there is no shelter far enough or secluded enough to protect them from the pain, loss and love that life brings.
On the hot summer days in the old city of Acre, a tradition connects the generations – children and teens jump from the old city walls into the sea waters below, a test of courage on the path to masculine maturity. Among the black coastal rocks and ancient stone ramparts, each leap is absolute freedom and a breath of fresh air amid the boredom of the long summer vacation. During the endless sweltering days, everlasting friendships are forged around this defining tradition, as the ranks of youth are replenished from generation to generation. The film unveils a nostalgic and stirring world of friendships, dangers and displays of bravery – all anchored in the experience of youthful masculinity atop the ancient city walls.
Four women and four men who make up a mosaic of Israeli society, meet for a therapeutic photography group led by Israel Prize winning photographer Alex Liebek for a year. Each and every one of the group's participants is related in one way or another to post-trauma. It has a mother of a post-traumatic, a wife of, a child of, a woman who served as an observer, and four men of various ages, some of whom are not diagnosed or recognized as post-traumatic. From Liebek's iconic photos and from photos that the participants bring themselves, an intuitive and authentic discourse develops about post-trauma as a social phenomenon that has penetrated every home in Israel, about audio-visual images as shapers of consciousness and also about the way to grow from trauma through sharing, recognition, creation, humanity and compassion.
In the Arab village of Jisr az-Zarqa, against a backdrop of rising tensions and threats to the place's identity, three women embark on a personal and collective journey for change. As a new Jewish neighborhood is being built nearby, threatening the village's character, Amina (45), Munira (46), and Ruya (19) unite in an attempt to reshape their future and the future of their community. Through their personal stories, the film exposes the daily struggle of Arab women for identity, self-realization, and social justice within a complex and challenging reality.
Five anonymous letters reveal a painful story of emotional and sexual abuse by a psychologist who harmed his patients for years. The letters, which were never answered, are now exposed, allowing the victims' voices to be heard.
