Stowarzyszenie Filmowców Polskich

A group of farmers organizes a protest in front of the house of an MP who, contrary to earlier promises, voted against their interests. In the manure they dump, human remains are found.

Eighty-year-old Tadeusz lives a quiet life as a pensioner with his wife Helena. After years of working in a hospital, he wants to enjoy old age and his charming house with a garden, where they soon plan to hold their beloved granddaughter’s wedding. The idyll is shattered by a tragic car accident that casts a shadow over his marriage and reveals cracks in his relationship with his son.

Adam unexpectedly visits his family house at Christmas after a few years of working abroad. No family member knows about his secret plans and the real reasons of his visit.

The older marriage sails out on a cruise on the lakes, where they have spent the entire one’s life. The enclosed space of the yacht provokes reflection on the future as well on what has passed. In the evenings old melodies resound.

In Poland, behind the gates of an exclusive housing estate, the life of its wealthy residents is regulated by an old code of honor, due to which the Kowalskis and the Nowaks have been embroiled in a bloody family feud for years.

A man, right after his graduation, seeks a dream job in a corporation. The corporate world, however, appears to him as a higher and higher nonsense and repetitive mindless scheme. While looking for a job, the protagonist moves into a cheap flat that resembles a house from horror movies.

Tomek leads a comfortable life as a TV anchor and family man when he receives a troubling message from the psychiatric hospital in his hometown: his father, whom he has not seen in years, has just been admitted. Against the advice of friends and family, not to mention his own better judgment, Tomek returns home to face the man he hardly knows. After a failed, guilt-ridden attempt to sell his father’s apartment, Tomek decides to make up for lost time. Kidnapping his aging father from the hospital, the two embark on a vacation to the mountains in an effort to restore some semblance of a relationship.

Just before Christmas, things that are difficult to explain happen in the house of the widow of the local organist. Muddy traces left in the house, mysterious shadows and strange sounds make Bogusia increasingly believe that these may be signs from her tragically deceased husband.

Is there a recipe for a successful relationship? Can love stand the test of time? Three couples, differing in age, seniority and experience, reveal their fears and dreams about living together in front of the camera. Dorota Proba approaches her characters with great sensitivity, and they reciprocate with her complete honesty. The result is a very intimate, warm film that is full of difficult questions, surprising answers, great emotions and humor. Like in life.

Anka is becoming extremely anxious about her beloved husband Witek, a war correspondent. But where does the border lie between reality and catastrophic visions?

Forty five years of marriage is an impressive anniversary. Barbara and Zdzisław could be proud of themselves if not for the fact that the husband left the wife for his lover eight years ago. But now they are together again, although Barbara claims that if it were not for his infirm legs, Zdzisław would still be chasing skirts around Kraków. Despite the past resentment, everyday problems with paying bills, an occupied bathroom and rearranging furniture, they have a hard to define bond.

Mariusz lives in a cramped apartment in an old tenement with his mother, who suffers from depression and has not left the house for two years. The family survives on his father's pension. Mariusz should be finishing technical school, but he doesn't go to school. He earns money by finishing apartments in new housing estates and dealing drugs. He wants to improve his lot. He leaves his mother and rents an apartment in a new housing development. He thinks he will move up the social hierarchy by moving there. It turns out that it is not so easy to escape from his previous life and become a different person.

Helina, a modest checkout assistant at the Butterfly retail chain, dreams about getting a better life for herself and her daughter. An opportunity presents itself when Helina becomes a store manager. However, she soon discovers that the price for better wages and an improved standard of living is dishonesty, employee exploitation, and fraud.

Nina, in her teenage tremors, perceives the world as if she had no protective layer. What she would most like to feel is that she is accepted and belongs - so she goes to mass and faithfully supports the local football team. When the club's flag is desecrated, Nina comes up with an idea for a spectacular revenge that earns her the respect of the team and the heart of the boy she has a crush on.

An exceptionally gifted teenage boy is about to start studying physics at university. He is working on the theory of parallel worlds, which are linked, he initially believes, by light. He has an extraordinary mind and a wounded soul, which his mother, who steers his life, is incapable of healing.

In the oldest forest in Europe, the border between Poland and Belarus is marked by a large fence. Its purpose is to make it harder for refugees to enter the European Union. But what kind of collateral damage does it cause? The short film Bloodline chooses a clever, thought-provoking perspective, focusing not on humans, but on a bison.

Cezary still lives with his mother at 22 years old. He is in desperately in love with Emilia, a 20 year-old carefree rock singer. But he also has a dark secret. What will happen to Cezary, his mother and Emilia when they encounter the curse of the mythical nymph Ondine?

„Broys” Filip and Bartek try to cope with adulthood. An unexpected family tragedy drastically changes the brothers’ worlds - it feels as if they came to a standstill with their whole lives ahead of them.

Somewhere on the coast of the Bering Sea, a father and son make a living fishing in a community that seems almost outside of time. Aliaksandr Tsymbaliuk’s camera takes us in close to the subjects, recording both the harshness of their condition and the rigour of education, softened by paternal love and the universal insouciance of childhood.

Maks gets a 24-hour prison pass and decides to use it to go to a casting for a TV music show. He forces his younger brother to go with him, but Kamil doesn’t make getting to their destination easy. During their journey, we not only learn about their difficult, painful relationship, but also see how it evolves.