Aerograd

Aerograd 1935

4.60

Aerograd is a 1935 Soviet film by Ukrainian director Olexander Dovzhenko, Mosfilm-VUFKU coproduction. It is a futuristic adventure story set in the Soviet Far East. Considered one of two sound masterpieces by Dovzhenko, the other being "Ivan".

1935

Enthusiasm

Enthusiasm 1930

6.26

A lyrical documentary on the lives of Coal miners in the Donbass who are struggling to meet their production quotas under the Five Year Plan.

1930

Ivan

Ivan 1932

4.60

After the critical lambasting of his masterpiece Earth, Dovzhenko returned with a more popular iteration of its main motifs. Much like Earth, Ivan concerns itself with the natural rhythms of country life, disrupted by the beat of looming industrialisation.

1932

Night Raids

Night Raids 1931

1

A peasant visits the DneproGES construction. Agitprop film about industrialisation and Dnieper Hydroelectric Station construction.

1931

Prometey

Prometey 1936

4.71

The life was cruel with Ivas. The landlord sent him at war, and his girlfriend – in the house of ill fame. In the troops an ordinary peasant gets acquainted with an ideological revolutionary and becomes inspired with the feeling of inequity to the existing social structure. And when the time comes to return to the native village, he will make the sir pays by his blood for all wrong-doings against the peasants. A film based on works and biography of the Ukrainian poet Taras Shevchenko (1814 - 1861).

1936

Intrigan

Intrigan 1935

1

The cadet Vasya Yarochkin and his girlfriend Olya attempt to catch an escaped stallion named "Intriguer".

1935

Maybe Tomorrow

Maybe Tomorrow 1932

1

The end of the 1920s. The capitalist world is in crisis. The fascists unleash war against the Soviet Union. The enemy attack interrupts the peaceful labor of Soviet people. Hundreds of production workers join the Red Army. At the front go Red Army units, columns of tanks, units of the people's militia. Enemy airplanes appear over the Soviet city, black bomb bursts are rising. The streets are moving mournful funeral processions of the first victims of the war. At the end of the movie, a worker appears on the screen, appealing to the audience to be ready for the war, which has not yet come, but will come “maybe tomorrow"

1932

Pigs Will Be Pigs

Pigs Will Be Pigs 1931

4.50

At the "Pupky" station, an opportunity occurs: two illegal passengers - guinea pigs - have to be disembarked from one of the trains, since animals cannot be transported in a general carriage. The head of the station Pryvychkin tries to help the animals, but the situation is beyond his control. The audit committee sets out to investigate the unpleasant incident... This witty satirical comedy, in which bureaucracy, bourgeoisie and provincialism are mocked, continued the development of the domestic comedy genre in Ukrainian Soviet cinema.

1931

Natalka Poltavka

Natalka Poltavka 1936

5.00

This film is the first adaptation of an operetta written by Ukrainian composer Mykola Lysenko. It follows the trials and tribulations of Natalka and Peter (Petro). The sweethearts planned to get married; however, Natalka's father does not approve of the marriage because Petro was not affluent enough to keep Natalka in the manner he thought that she should be kept. Petro goes off to earn the required fortune.

1936

An Agreement in the Forrest

An Agreement in the Forrest 1937

7.00

The first Ukrainian animated film in color and sound. The animals make an agreement - to work and live in peace. Their "League of Nations" is joined by a fox who, having lulled the vigilance of his neighbors with the sweet melody of the barrel-organ with a picture of a dove of peace on it, insidiously breaks the agreement. One of the film's directors, Ipolyt Lazarchuk, became the "father" of the Ukrainian animation school in the post-war period.

1937

A Severe Young Man

A Severe Young Man 2019

4.90

The film’s content makes no concessions to the usual expectations of Soviet audiences of the 1930s. The cast of characters is extremely unlikely in almost every conventional respect. The action involves the household of the prominent Dr. Stepanov and his young wife, Masha, who share their large and richly adorned mansion with the parasitical Fedor Tsitronov, whose presence in the household is given only the most implausible of explanations. Equally implausible is the acquaintance of the family with the young and proud Grisha Fokin, whose leadership role in the Young Communist League is never clearly defined and who is never seen engaged in any work or professional activity.

2019

Tom Soyer

Tom Soyer 1936

4.00

About a merry, smart boy Tom Soyer, that, testing, as him it seemed to, all facilities, to be good, decided nevertheless to go away from home and become a marine robber.

1936

I Love

I Love 1936

10.00

Once a long ago the father of Ostap left a village and came on earnings to Donbas. The lined up a shanty put beginning to miner's settlement of Sobacheevka. Ostap went on the way of father, thirty years of bending a back on the owner of mine. And when a father was driven out from work, Ostap understood that it is senseless to blame in the troubles only master.

1936

Nazar Stodolya

Nazar Stodolya 1937

1

In the first half of the 17th century, the peasant Nazar Stodolya, sentenced to death by the Polish magnate Haletsky, is rescued by his friend Hnat. Later, Nazar and Hnat find themselves in the estate of the Ukrainian centurion Kichaty. The centurion, having invited a priest, persuades the fugitives to sign a paper stating that they have voluntarily been assigned to Kichaty's estate. Hnat does not sign the paper, and Nazar, falling in love with the owner's daughter Halia, easily puts his signature and thus falls into another bondage. Soon, Hnat leads the people's struggle against the oppressors, and Nazar and Halya join the rebels.

1937

The Magic Ring

The Magic Ring 1936

1

The greatest achievement of Ukrainian animation in the 1930s was the epic animated film "The Magic Ring", an independent director's work by Semen Huietskyi. The epic animated film, unfortunately, has not been preserved, we only have Borys Kryzhanivskyi's impressions: "It was really beautifully made. With great taste, without sentimentality and excessive stylization. In the film, the approaches to the creation of national cartoons in the form of cartoons, which have their roots in folk art, were clarified. But the film "The Magic Ring" was declared a manifestation of "Ukrainian bourgeois nationalism" and put on the shelf. The director had to leave the studio."

1936

Don't Delay Traffic

Don't Delay Traffic 1930

1

Tram conductor Nadya Savitskaya went to study for tram driver courses. Her boss believes that women are not capable of such work and will only delay traffic. However, on her very first flight, Nadya Savitskaya prevents an accident and saves lives. The film was shot as part of a program to encourage women to study male professions, because in Soviet Union the rights of women and men were equalized: now they could do the same work and receive the same salary for it.

1930

The Last Night

The Last Night 1933

1

Historical-revolutionary film about the struggle of the Bolshevik underground against the interventionists during the civil war in Odessa, about the participation of children in underground work.

1933

Collection

Collection 1991

1

The heroes of the stories are various small packs of cigarettes that are manufactured in the Soviet Union. They suddenly jumped out of an old suitcase, and now live their lives and show scenes that are typical of those times. Here there is a dance floor, where pairs swirl elegantly, the rest on the beach, and much more.

1991

An Unprecedented Campaign

An Unprecedented Campaign 1931

1.00

Made during the rapid industrialisation and collectivisation of Stalin’s Five-Year Plan. Kaufman countered the poverty of the villages with the geometrical rhythm of mechanised factories; militarisation is shown as the next step of the ‘unprecedented campaign’. "The proletariat, having become master of one sixth of the globe, frees the rural working people from the kulak oppression… THE PROLETARIAT …engages the peasantry in a joint campaign for Socialism. This is what the film speaks about".

1931