Restart

Days of Madness portray an incredible odyssey of two mentally diverse and unjustly rejected people who are learning to accept it, faced with the blindness of the society and the health system that made them addicts.

"Barbarians" is a teenage drama about coming of age in a world where there is no opportunity. A portrait of a young generation growing up in a society of lost values.

A sequel to omnibus "Zagreb Stories" tells about love and families in present-day Zagreb.

After hitting a dog with his car, Stefan, guilt-ridden, decides to bring it with him to the hometown lake, where he is headed in order to complete the film about his mother who has recently passed away.

A semi-fictional correspondence between two women: one goes to Iran in 1979 to topple the Shah; the other experiences the onerous years of Ceaușescu’s Romania. Their biographies run in parallel via images of everyday life and videograms of revolution.

What happens when 11 world-renowned avant-garde artists are invited to a luxurious resort in the Adriatic where they can do nothing but rest? Attila Csernik (Serbia), Radomir Damnjanović Damnjan (Serbia), Željko Kipke (Croatia), Ivan Kožarić (Croatia), Vlado Martek (Croatia), Era Milivojević (Serbia), Romelo Pervolovici (Romania), Pinczehely Sandor (Hungary), Balint Szombathy (Hungary), Janos Sugar (Hungary) and Ilija Šoškić (Montenegro) are still in full artistic sway.

A poetic documentary about the lost film culture in the small villages on the Croatian islands during the SFR of Yugoslavia.

Matchmaker Nediljko Babic, also known as "Gangster", helps a Bulgarian single mother find a new husband in Croatia. But a series of comically disastrous dates discloses the true nature of conservative Croatian men: they would rather die alone than marry a foreigner with a child.

"Srbenka" is a film about peer violence toward children of different nationality in Croatia. It examines how the generation born after the war copes with the dark shadows of history.

Plants such as Dracaena, Ficus, and Philodendron were integral parts of the socialist modernist architecture in the seventies and eighties. Today, they remain strong visual reminders of the socialist state. In "Currents", the movement of plants, the only remaining residents of the building, may be read as a part of a wider context, the change of currents. One paradigm of understanding space is being replaced with another one, the concept of the welfare state, and its undertakings are treated with contempt. Absurdity is a feature of this situation, in which that which was once of great importance becomes completely irrelevant.

Croatia, 1991. Two sisters prepare a special homecoming for their father on the day he’s set to return after three months as a prisoner of war.

A documentary about the Celts, the fans of the Bilogorac football club from the Croatian village of Veliko Trojstvo. Interestingly, the members are not locals, but people from Bjelovar, a city 10 kilometers away that has a much better ranked football team. Dressed in green and white, the Celts spend every weekend escaping from provincial life to support the players.

Even after more than 25 years since the dreadful war crimes had been taking place in former Yugoslavia, this tragic history is far from over – be it for the victims’ families, conflicting nations or for a Czech investigator who comes back to the region to carry on in his work after so many years. The documentary return voyage follows not only the paths of fleeing war criminals, but is driven by an effort to capture a part of the ethic mission of the then newly formed International Criminal Court in The Hague along, in its double nature: based on an independent investigation of war crimes, to strive for reconciliation in cases of multifarious ethnic, national and other conflicts.

In the Balkans, every generation has its war. Sons are continuing fights started by their fathers. There are rifles and pistols in every hand. Concentration of arms has reached a critical point. Even the smallest incident would be disastrous to this fragile peace. Watching children playing with toy guns makes you wonder: what are we leaving to the next generation?

The Museum of the Revolution in Belgrade is actually a building that remained unfinished for 60 years and 'inhabited' only by the homeless and marginalized. The director observes the precarious (but proud) daily life of a girl and her mother around the symbolic ruins of a utopia.

Sea Dreaming Girls is a gorgeous, joyous and funny documentary about discovering new things and living carefree at any age, as it follows a lively group of nonnas who have never seen the sea. In the tiny Italian mountain village of Daone, a group of grandmothers led by the straight-talking Erminia begin planning a trip in honour of their Rododendro club’s 20th anniversary. They quickly agree on a trip to the sea, where many of their members have never ventured. But how will they raise enough money so that everyone can wiggle their toes in the surf? They sell pies and sweets and even boldly pose for a calendar but when this doesn’t get them the money they need, they have one last idea and it is this one that sends them viral, making them famous across Italy.

Conjuring reality and wonder, "Speak so I Can See You" takes us to a seemingly different era, by exploring the world of Radio Belgrade. One of Europe's oldest radio stations and a true institution of the city, the station still broadcasts original programming and helps keep history, culture and critical thought, as well as everrelevant questions about ourselves and the world, from slipping out of memory and mind. Set at the intersection of an observational documentary and a unique sensory experience, the film conjures everyday scenes at the station and immersing interludes exploring the relationship between sound and the space it inhabits. Through a synesthetic blend of sounds, words, notes, echoes and light, we are taken into a unique cinematic soundscape that doubles as a love letter to radiophonic art and its disarming insight into what makes us remember, understand, think, discover, and feel.

On the island where the filmmaker’s grandmother is buried, it is the tradition of women to choose the image that will represent them on their grave after they are gone. As director Sara Jurinčić and her mother travel to this island, we enter a world without men, where female ancestors take centre stage. This beautifully crafted film, both playful and serious, takes us on a cinematic odyssey to hear what the ancestors are whispering from their silent portraits.

A short documentary, created within Restart's "7th School of Documentary Film" 2017/2018 workshop.

The film follows Mrs. Sarika's departure to a Jewish retirement home. What was supposed to be a peaceful end to life, turns into the horror of the Holocaust, and she herself becomes a victim.