It's summer for Lucas and his band of friends in their village near Marseille. Hicham returns after a three-year absence and military training. They get together to organize a friend's bachelor party and enjoy one evening at the seaside after another. But Hicham's return rekindles raw emotions in these men parched by summer.
Jean is a "slow" man, he builds his life around his anxieties, and considers himself unsuited to life in society. He lives with Alex, who is a "fast" man. Passionate about aerodynamics and eurodance, Alex lives fast and asks himself as few questions as possible. One morning, he receives a fast friend, Lou, at their place, while Jean had also planned to receive a slow friend, Caroline.
One night at a party, an incident occurs. Two boys get together to spend the night.
Kiko, a Japanese illustrator on assignment in France, gets suddenly overwhelmed by a strange new inspiration, while she realizes she's been spying on a gay couple on the beach next to the chapel where she's working. Obsessed by such a vision, she will continue spying on those men and drawing them secretly. These drawings will slowly push her towards an encounter that will change her life and break the barriers she created around her.
Two young men in a nearly abandoned suburban landscape deal with the suicide of one of their friends by shotgunning beers and joining a gang.
Alberte has a passionate affair with Mathias, her doctor. He treats her under narcoanalysis to be able to detect a deeper symptom. He enters her without her knowing it and takes possession of his being in order to read what is chasing him, why people blame him, what is the strange disease that inhabits him.
An old man, former clown, comes back in the neighborhood where he used to lived for the funeral of his ex-wife, and finds old friends with whom he had lost contact.
In a strange villa, six young people are getting tanned. They are bored and get burnt, lying under the summer sun. They are children of the night, children of dreams. Coming from everywhere and nowhere, they are here, united like a tribe.
The feline and weary body of a young girl is surrounded by Christian symbols. Crosses, Sulpician images, miniature altars lose their religious meaning to become merely decorative items. Mixed with plastic toys and photographs, they compose secular still lives. A church service is observed surreptitiously through a ground-floor window, like some strange custom, only to be interrupted by the sound of a moped backfiring, inviting the girl to take flight. This religious setting, often filmed in countershot to the beautiful faces of three teenagers, then gives way to wide shots of the luxuriant nature they are bathed in. Their nimble, young bodies find a perfect refuge in the comfortable branches of a mango tree. But at this age, the thirst for thrills cannot be restricted to a familiar setting. The trio hits the road. Without bothering with narrative dross, Heliconia offers a sensual road-trip and gorgeous tableaux vivants that do justice to film as a medium.
A writer has her alarm clock stolen after a sexual encounter.
Malik spends his days trying to get attention from others with empty, boring chats. One day, he catches the attention of one guy with a lie, saying that he's going to the US to study cinema. The news quickly goes around the neighborhood and Malik suddenly becomes everyones’s hope and pride.
In the near future, huge tidal surges cover large portions of coastal areas. In a small town, a couple refuses to leave their home.
In a desolated world, a martyr is steered by a man giving orders from a control room. His henchmen torture the resistance fighter. Are the parts played by victim and hangman defined as clearly as it seems? Ange Leccia offers a political reflection about the power of images and their manipulative force. —ubu.com
A contemporary scenario, in which American journalist Doug Ireland visits Europe and meets an oppressed young Arab man, is played against the celebrated story of Emperor Hadrian’s relationship with his favourite Antinous.
Chronicles of a male homosexual drug addict in 1980's in voice-over with long take scenes from Rome, television snippets of news of Gulf War and commercials.
In Corsica, four girlfriends share the last days of an endless summer. It's hot, too hot to do anything. While they share their secrets, Camille, the youngest of them, says she's pregnant.
Utquiagvik is the northernmost city in Alaska, located 555 km beyond the Arctic Circle. This meditative documentary follows its young Inuit inhabitants, who explore the desolate snowy landscape under the midnight sun and transform their home into a vast playground full of melting glaciers and abandoned ships.
Evidence by Caroline Champetier, a director who skilfully illuminates the great filmmakers (Jacques Rivette’s La bande des quatre , Philippe Garrel’s J’entends plus la guitare , Jean-Luc Godard’s Soigne ta droite, and Leos Carax’s Holy Motors ), directs and highlights in a sequence shot, in sumptuous black and white, a pregnant woman in the prosaic ritual of bathing. This "ingenious photographer", according to Agnès Varda, films the obviousness of the body, of gestures and lingers on the little things to take hold of a whole, as in the false triviality of Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles by Chantal Akerman with whom she also collaborates in Toute une nuit.
