Les Films du Camélia

Claire, a school teacher with a camera is on her first visit to Cannes. She happens upon a film sales assistant, Man-hee, recently laid off after a one-night stand with a film director.

Sidonie Perceval, an established French writer, is mourning her deceased husband. Invited to Japan for the reedition of her first book, she is welcomed by her local editor who takes her to Kyoto, the city of shrines and temples. As they travel together through the Japanese spring blossoms, she slowly opens up to him. But the ghost of her husband follows Sidonie: she will have to finally let go of the past to let herself love again.

Police officer Lucie’s solitary daily life is disturbed by the arrival of a young couple and their little girl who move in next door. As she grows fond of them, she discovers that the father is an anti-police activist.

Overwhelmed when a figure from her past reemerges, Joan Verra retreats to the countryside with her son Nathan. There she experiences fragmented recollections of her past romantic encounters.

Today, Camille turns nine. He had sworn that on his 9th birthday he would show his parents the videos he was shooting on the side - the tail of a cat scampering away, a window, and a veiled woman's face - an intriguing picture... Later that day, Camille's mother, Ariane, meets up with her son in the park. The boy appears perturbed. He is leaning against a tree, eyes cast down. He says that now he wants to return to his "real home" and his "real mother."

Irene moves to Paris to begin a new life with her husband Jason and their two daughters, but an act of betrayal and her desire for revenge soon sends her to the brink of madness.

A time capsule of New York City between August 13-15, 1965, framed by the Beatles’ arrival in the city and their first concert at Shea Stadium. The film consists exclusively of archive material from the period (ABC, CBS, NBC), 8mm home movies and images of the concert, which was recorded with fourteen 35mm cameras. Four teenagers are sent on a trip through time and inserted in the archive material by means of animation.