The terrifying thriller tells the story of Sara (Lydia Bosch, 'Grand Hotel'), a popular novelist who after suffering a serious accident, it is host to a monastery in the north section of Italy in which dwells an ancient brotherhood. A place stuck in the past: without light, water or telephone, where the Benedictine monks, sitting in the dark, cold and silent, strictly follow the laws of Christianity.
Valia is a young woman used to observing others as part of her work, and so reality is becoming a canvas where characters live out a kind of life. She records the same shot with a small video camera: the street in front of her apartment where there is a restaurant. Some days later, she meets Guido, the owner of the Italian restaurant. Guido is her antithesis, perfectly adapted to daily life and conscious of his own social dimension. Valia, on the other hand, lives in this two-dimensional world, separated from what is actually happening and what she observes. Valia's life changes when she discovers a small lump on her breast and she is diagnosed with breast cancer. With Guido, Valia recovers her otherness while facing her end.
A story of love and heartbreak. Of hope and despair. Of passion and abandonment. After two years together, Juan has left Marita, a mature woman that has kept him until he has found Adela, another woman from whom get her money.
A house anchored to the coast. An artist on vacation. An isolated dreamscape. The unnameable is to come.
In November 1936, a few months since the beginning of the Spanish Civil War, the government of the Second Republic moves to Valencia. In this situation, several Valencian artists and intellectuals decide to build four fallas — satirical plasterboard sculptures created to be burnt — to mock fascism.
