FGH

In the Australian outback, a park ranger and two local guides set out to track down a giant crocodile that has been killing and eating the local populace..

In the near future, after an unspecified holocaust, survivors are herded into prison camps. There, they are hunted for sport by the leaders of the camp. Paul, one of the newest prisoners, is determined not to go down as quietly as the others.

In 1917 when the British forces are bogged down in front of the Turkish and German lines in Palestine they rely on the Australian light horse regiment to break the deadlock.

In the distant future, the human race nears extinction and a new race of beast-like creatures rule the earth. The few surviving people live in the City, a huge protected construction with the ability to travel in both space and time. The City travels back to our time to save humanity...

A schoolteacher (John Waters) becomes obsessed with the idea that his wife (Joy Bell) did not die in a car accident, as everyone else thinks.

When a group of Indigenous activists attempt to repatriate ancestral artifacts found in a cave on Australia's Kangaroo Island, one of them is shot, evading police and taken to a local hospital, where the doctor attending to her experiences strange visions relating to violent events from the past.

After the death of his mother, teenage Danny visits his father Matt Malloy on a lonesome farm in Australia, where he lives with a girlfriend and her daughter Stevie. The farm has been going bad lately, so Matt starts smuggling Marijuana for a drug connection. When Danny joins him on one of his flights, the two-seater crashes in the middle of nowhere. Since his father is wounded, he has to conquer the jungle alone in search for help.

The year is 1933. Ruby Rose (Melita Jurisic) is an Australian woman living with her Welsh immigrant husband Henry (Chris Haywood) in the Tasmanian highlands. Cut off from her superjudgmental family, for whom Henry had once worked as a humble farm hand, Ruby remains isolated in her tiny house. Superstitiously terrified of the dark, she begins developing her own folklore about the inky blackness that surrounds her each night; this folklore eventually develops into Ruby's own personal religion, created to ward off the evils that she imagines lurk in every corner. Only by venturing out of her house and rekindling her relationship with her embittered father is Ruby able to exorcise her fears. Almost hypnotic in its stark beauty, Tale of Ruby Rose is proof enough that writer/director Roger Scholes deserves to be far better known.

A beautiful, if ambitious and amoral, youth is tapped to become the lover of a powerful senator. The young man quickly realizes that he can hold this place, with all its perks, only as long as he is young. He has no other function than being young. With the help of an aged judge, the young man, referred to only as The Lover, contrives a plan to make a change in the way of the world, a plan that will take him years to realize. To succeed, he must manipulate, in subtle and not-so-subtle ways, the senator, his wife, the family chauffeur (who was, when young, a lover), and, by implication, the entire well-planned and controlling everlasting secret family.