The Kiss 1896
They get ready to kiss, begin to kiss, and kiss in a way that brings down the house every time.
They get ready to kiss, begin to kiss, and kiss in a way that brings down the house every time.
“The watchful father disturbs a dream of bliss, and the bucolic lover is taught a lesson. He made a great hit.” (Edison film catalog)
A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.
A butcher puts a full-grown live pig into his large box-like machine. Moments later, he draws out a full range of pork products, many already packaged for sale.
Félicien Trewey, performing his spinning plates routine.
Georges Méliès makes a woman disappear, then reappear.
A Berlin street scene.
A fellow in a wide-brimmed hat, with a willowy stick for a rod and a baited hook, sits down on a plank hanging over a bridge above a stream. He sticks the rod under his seat and picks up his bottle to take a swig. Behind him creeps a joker who removes the large flagstone that's holding the fisherman's plank in place.
A mother takes her children for a walk, lifts her baby girl out of the buggy and gently sets her down to the ground. She then moves a few steps away and calls her name, to demonstrate that her baby can walk.
A brief fantasy tale involving a strange fairy who can produce and deliver babies coming out of cabbages. This film is lost or never existed. Copies of it online are actually the 1900 remake.
In a medieval castle, a dark magician thought to be Mephistopheles conjures up a series of bizarre creatures and events in order to torment a pair of interloping cavaliers.
Members of the New York state militia enjoy some relaxing time during a meal break.
Auguste Lumière directs four workers in the demolition of an old wall at the Lumière factory. One worker is pressing the wall inwards with a jackscrew, while another is pushing it with a pick. When the wall hits the ground, a cloud of white dust whirls up. Three workers continue the demolition of the wall with picks.
Considered a remake of Lumière's La Voltige from 1895.
Vaudeville dancer Amy Muller performs a portion of her stage routine, which features dancing on her toes. She dances on one toe for part of the performance. Later, she also twirls and does cartwheels.
Two men have a contest to see which one can be the first to eat a large slice of watermelon.
Pedestrian, trams, carriages and carts traffic at the intersection of two streets on La Canebière in Marseille.
A male lion, right next to bars that are about 6 or 8 inches apart, keenly watches a uniformed zoo attendant toss small morsels of food into the cage. The lion alternates between finding the food on the cage floor and reaching through the bars to swipe at the man, who stays alarmingly close to the beast. In the background are the large rocks and brick wall at the back of the lion's habitat.
A man has a fantastical nightmare involving, among other things, a grinning malevolent moon.