Masculin Féminin

Masculin Féminin 1966

7.25

Paul, a young idealist trying to figure out what he wants to do with his life, takes a job interviewing people for a marketing research firm. He moves in with aspiring pop singer Madeleine. Paul, however, is disillusioned by the growing commercialism in society, while Madeleine just wants to be successful. The story is told in a series of 15 unrelated vignettes.

1966

I Am Curious (Blue)

I Am Curious (Blue) 1968

5.50

The same movie with the same characters, cast and crew as I am Curious (Yellow), but with some different scenes and a different political slant. The political focus in Blue is personal relationships, religion, prisons and sex. Blue omits much of the class consciousness and non-violence interviews of the first version. Yellow and Blue are the colors of the Swedish flag.

1968

I Am Curious (Yellow)

I Am Curious (Yellow) 1967

5.60

Lena, aged twenty, wants to know all she can about life and reality. She collects information on everyone and everything, storing her findings in an enormous archive. She experiments with relationships, political activism, and meditation. Meanwhile, the actors, director and crew are shown in a humorous parallel plot about the making of the film and their reactions to the story and each other. Nudity, explicit sex, and controversial politics kept this film from being shown in the US while its seizure by Customs was appealed.

1967

Dreams

Dreams 1955

7.10

Susanne is a woman in her mid-30s and the owner of a modeling agency in Stockholm. She accompanies her prize model, Doris, on a trip to Gothenburg so that Doris can be photographed. While traveling, both women seek out romance, Susanne with a married lover and Doris with an older gentleman who sees his deceased wife in the young model. The two women struggle to understand their romantic motivations and in the process form an unlikely friendship.

1955

My Sister My Love

My Sister My Love 1966

6.50

Sweden, 1782. Jacob, a young noble, somewhat wild and vehement, returns from his studies in France. After his absence, he returns home happy, but is even happier of meeting his beloved sister Charlotte again. However, she has been promised to the Baron Alsmeden, a man of great influence at court, and this fact will awake a feeling like jealousy in Jacob.

1966

The Hunters

The Hunters 1996

6.45

A policeman from Stockholm come to Norrbotten in Sweden, to join his brother, now when their father is dead. While there he starts to work on a long-running case where reindeers have been poached and soon discovers that his brother is involved...

1996

Sawdust and Tinsel

Sawdust and Tinsel 1953

7.30

The complicated relationships between a circus ringmaster, his estranged wife and his lover.

1953

The Architecture of Doom

The Architecture of Doom 1989

7.20

Featuring never-before-seen film footage of Adolf Hitler and the Nazi regime, The Architecture of Doom captures the inner workings of the Third Reich and illuminates the Nazi aesthetic in art, architecture and popular culture. From Nazi party rallies to the final days inside Hitler's bunker, this sensational film shows how Adolf Hitler rose from being a failed artist to creating a world of ponderous kitsch and horrifying terror. Hitler worshipped ancient Rome and Greece, and dreamed of a new Golden Age of classical art and monumental architecture, populated by beautiful, patriotic Aryans. Degenerated artists and inferior races had no place in his lurid fantasy. As this riveting film shows, the Nazis went from banning the art of modernists like Picasso to forced euthanasia of the retarded and sick, and finally to the persecution of homosexuals and the extermination of the Jews.

1989

The Creatures

The Creatures 1966

6.40

A writer decides to use the strange inhabitants of a small island as a basis for characters in his new book.

1966

Zero Kelvin

Zero Kelvin 1995

6.60

Larsen, an aspiring poet in '20s Oslo, leaves his girlfriend to spend a year as a trapper in East Greenland. There he is teamed with a seemingly rough old sailor/trapper, Randbæk, and a scientist, Holm. Trapped in a tiny hut together as the Arctic winter sets in, a complex and intense love/hate relationship develops between Randbæk and Larsen, who are more similar than either would like to admit. A powerful psychological and physical drama set against stunningly bleak Arctic scenery.

1995

Giliap

Giliap 1975

5.30

In a minor town the morose manager is primarily responsible for the bad atmosphere of a restaurant. But central for the plot are three persons: a male waiter who is never named (here called W), the female waiter Anna, and "the count", a self-invented nickname by a man cleaning plates. The count is skilled in making others do what he wants. Half a dozen of the personnel assist in a poorly planned and failed attempt to liberate a man whom the police move from one arrest to another. The event involves stealing a motorcycle and threatening policemen with a gun. Anna strongly tries to make contact with W. Finally it turns out that she need his help to break her sexual relation to the count, a relation that from her part is not motivated by positive feelings. W rejects her attempts. And then Anna has suddenly gone. She has got a pleasant job in another town. And then W's feelings awaken.

1975

Tic Tac

Tic Tac 1997

6.30

During one single day a number of life destinies cross one another. It becomes a night for the involved they will never forget, a night when the coincidences are going to change their lives forever.

1997

When Darkness Falls

When Darkness Falls 1960

5.40

Young Elisabeth comes to Västlinge to meet her old relative, the vicar and and his young daughter. She is going to spend the Christmas there in peace and quiet but on Christmas Eve, the grocer is brutally murdered with an axe. Police inspector Christer Wijk comes to the small village to find the murderer. He soon discovers the puzzle of evidence that makes almost everybody a suspect.

1960

Miss Julie

Miss Julie 1951

6.54

Based on the play by August Strindberg, Miss Julie vividly depicts the battle of the sexes and classes that ensues when Julie, a wealthy businessman's daughter, falls for Jean, her father's bitter servant.

1951

Peter-No-Tail in Americat

Peter-No-Tail in Americat 1985

5.70

Peter-No-Tail (Pelle Svanslös) is a cat who was born without a tail. He compensates this by studying hard and, much to the dismay of his arch-rival Magnus (Måns), he receives a fancy university degree very few cats in the university town Uppsala, Sweden have obtained. Peter is visited by his American relative Pelle Swanson who invites him to visit his new home country America - in the movie called Americat. There everything is bigger and everything seems possible.

1985

Night Games

Night Games 1966

5.47

A man on the verge of marriage is haunted by traumatic memories from his childhood.

1966

Rider in Blue

Rider in Blue 1959

5.90

When private eye John Hillman is on assignment in London his wife Kajsa visits the Army's riding school at Strömsholm, Sweden. She gets involved in the strange murder of the Blue Rider. Unknown to everyone at Strömsholm.

1959

Do You Believe in Angels?

Do You Believe in Angels? 1961

6.60

Jan Froman is a young man with great plans for the future. He gets a job as an assistant janitor at a bank, but with inherited money he starts to buy and sell real estate which eventually increases in value. He falls in love with Margareta, whose father is a naval officer. Margareta is slighted by her fiance and follows Froman on a sailing trip in the archipelago. Plot by Mattias Thuresson.

1961

Hip Hip Hurrah!

Hip Hip Hurrah! 1987

4.38

The life and times of the Scandinavian artists' colony who lived in Skagen on the Danish coast during the 1890s. Not so much a biographical account, rather a portrait of a way of life. The painters became famous for the way they used the light in their work, and this has also been mirrored in the cinematography.

1987

Da Capo

Da Capo 1985

2.00

Interwoven with scenes that are meant to grab attention by their stunning composition, this biographical look at Finland's violinist Arto Arsi is not so much a narration of his childhood and early years, as an attempt to artistically show what was happening inside his psyche during that time. Literally sold to a master teacher, Sergei Rippas (Tarmo Manni) by his mother when he was still a child, the violin prodigy was forcefully and strictly raised to practice, practice, and perfect his technique. Once an adult, Arsi finds a way to escape the rigors of a U.S. tour and drowns his overworked self in drink, or seeks out one-night stands, or otherwise lets off steam. The tightly-wound spring that has been coiled since he was forced into his grueling training and work sessions -- shown through symbolic images -- eventually snaps in a healthy way, freeing Arsi at last to continue on, simply for the love of music.

1985