City of God – 10 Years Later investigates what happened to the actors who took part in the award-winning film directed by Fernando Meirelles and Katia Lund. This documentary shows what City of God’s worldwide success meant to their lives. Were the actors prepared for the film’s success? Did the social background of some of them prove stronger than the opportunity that came their way?
Dé, Adrianim and Martins are three black teenagers from Chatuba, Rio de Janeiro. When Dé receives the news that Almerinda, his grandmother, is in the terminal phase of Alzheimer's disease, he decides to enjoy the last days of her life together with his two best friends.
Silvana is a tired woman. The world no longer belongs to her, the invisible bothers her, the daily life oppresses her. What she wants sometimes is to abandon everything and go back home.
This film seeks to rescue the role of filmmaker Neville D'Almeida by using many rare images, numerous interviews, vast archival and audiovisual material.
Learn about the trajectory of student leader Marcos Medeiros and learn more about his exile in France and Cuba. In 1968, he joined the counterculture when political activism became an audiovisual expression of intervention in social reality.
Experimental movie about Rio de Janeiro's Museum of Modern Art's Movie Archive (Cinemateca).
Cléo is making her first film, inspired by french cinema and the nouvelle vague.
Vidigal Hill, 1977. A runaway group of bandits engage in a complex love triangle in the brink of the news that the corrupt Rio de Janeiro mayor decided to make everyone move out of Vidigal, aided by police forces.
During carnival Flaviana lives a pretty difficult dilemma; how to disguise from her last night lover who refuses to get out of her shower?
Bianca manages a precarious living as a talented but underemployed actress in Rio de Janeiro, performing for private events dressed as movie icons. Troubled by the belief that she has missed her big break, Bianca's situation is upturned by an audition that leads to a rare opportunity.
In 1970, Brazil was in the throes of a military dictatorship that lasted 20 years. Persecutions, arrests, killings, kidnappings. The film Seventy rejoins 18 characters of this story, forty years later. The film mixes the excitement of revisiting the past with a vision, sometimes even good humored of everything they lived. Many years afterwards they relive their experience of pain, violence and survival, of rebuilding their own story and continuing to believe in the possibility of improving the world.
Ana who lost her mother, works as a dog walker in the south of Rio de Janeiro and lives on the outskirts of the city. Her brother is discovering the drag queen universe, creating tensions with the homophobic neighborhood. Ana has a group of activist friends who try to support her, including mental health support. The arrival of an old boyfriend stirs up personal tensions and draws the attention of armed groups that dominate the region.
A couple lives isolated in a country house at th top of a hill, full of natural beauties. Their routine is changed when an unsual group of mannequins seems to gain life, and start to watch over them.
On March 1, 1982, the city of Niterói enters history and hosts one of the most important cultural movements: a so-called Rock 80 Generation. Radio Fluminense FM, known as “A Maldita”, goes on the air, mixing irreverence, daring and creativity with its programming aimed at music that lacks commercial space. The boldness of believing in the new made “Maldita” become one of the main alternative communication vehicles, launching Brazilian rock groups and independent music and creating a legion of fans.
Documentary about the world of hip hop and the daily life of those who seek to survive from music in Brazil, all set in the traditional neighborhood of Lapa Carioca.
An encounter of novelist Lúcio Cardoso and poet Murilo Mendes haunting ghosts with their characters.
Joana D'Arc, a former public school teacher in Rio de Janeiro, tries to recover her home, lost to the City Hall. The trajectory is shared by the pirate fisherman Pharaó, from Guanabara Bay.
Arthur Bispo do Rosario's past is practically unknown. It is only known that he was black, a sailor and a boxer. In 1938 he was admitted to Colônia Juliano Moreira after a mystical delusion.
The failed actor Rui inherits a millionaire apartment from his father and decides to put the sale on to realize his dream. Rui wants to star in a remake of a famous film by Chuck Norris fighting in Vietnam. At the same time he must try to sell the apartment, negotiate the rights to produce the film and still deal with his love life.
