Cordón Films

A portrayal of the multifaceted artist Sofía Saunier's daily routine as she takes care of her housemate and makes Transur, a film project showing the present reality of Uruguay's trans community.

This is the story of Vicente, a successful, married, economist with a nine-year-old son. It also tells the story of Antônio, the same man, living as a hugadores—one of the homeless, trash scavengers who live and work in Brazil’s enormous garbage dumps. Vicente seems to have it all, but as we watch his life begins to crumble little by little. Meanwhile, Antônio, already at rock bottom, struggles to rebuild his life.

Claudio is promoted to policy coordinator in his insurance company, but he has to move to a remote small town for the position, and after arriving numerous cars begin to be set on fire. Claudio is pressured to cover the cars' insurance in a hostile environment, and as he tries to do so he will discover that many things are not what they appear to be.

A team of advisers is brought in to manufacture the image of Marchand, producing social media profiles, commercials and a new public persona. Conflict arises when it is revealed that not everyone is who they present themselves to be. At his country estate, a rich businessman who wants to be president is groomed by a campaign team to create an image palatable to middle-class voters.

Leandro and Silvina, a young and successful middle-class couple, are experiencing the happiest time of their lives. But the sudden appearance of Leandro's daughter from another relationship, destabilizes the couple revealing hitherto unknown differences.

Driven by childhood memories and the hope of a reencounter, Sarah visits her paternal grandmother in her village in Uruguay. She takes long to understand the prevailing unease… But she is soon faced with the gap between her fantasy regarding the place of origin and that village of old people forgotten by Modernity where the heat is overwhelming and the days seem to last forever. Cultural shock, humor, tenderness and sadness give shape to this bitter-sweet film.

After being fired from his job, Norberto tries his luck as a real estate agent, but he doesn't tell his wife right away. His new boss advises him to take an assertiveness course to overcome his shyness, and Norberto starts taking classes in an acting workshop for beginners. While he works toward the quarterly festival, Norberto fails to get his wife and clients to believe anything he says, but he finds out he is very good at lying to himself.

In 1806, in the mist of the British invasion of Buenos Aires, football is introduced. A merchant of the time sees in this sport a unique business opportunity and in the process awakens a passion so great that it can replace the war.

A German actor lands in Montevideo. Rude and speaking very little Spanish, he gets himself in trouble: only a few hours after his arrival, he gets lost and runs into a group of young men who try to rob him.

An emotional visual portrait starring fans of the most important melodic singer-songwriter that Uruguay had, the founder and leader of Los Iracundos, Eduardo Franco.

Through the years and from a very intimated point of view, this is the story of the adaptation process of two Syrian refugee's families to a faraway country called Uruguay, they completely disown.

Between 1950 and 1952, the Uruguayan essayist, critic and writer José Pedro Díaz created a film diary with images that display a range of diverse interests: social observation, the portrait of the artistic-intellectual community in Europe and a look at domestic cinema from travels, portraying his wife, the poet Amanda Berenguer. As a perfect complement he also had a literary diary. Both form a unique testimonial chronicle: how to read the script and see what was filmed. This documentary deals with that lesser-known area of Díaz's work.