Portrait of a private coal company in East Berlin's Prenzlauer Berg district in 1988/89. The feisty woman boss runs the business with humour and understanding. Her seven male employees respect her. To the outside world, they are all tough guys, but as they describe their jobs and personal situations, above and beyond the hard manual labour, their vulnerability starts to come to light.
An international anthology about the struggles of female workers around the world.
Documentary about the small city of Rheinsberg, once the summer residence of Prussian princes. Average working class people comment on the history of this special place.
Social, cultural, and historical changes in a village, the first film of Koepp's “landscape” series.
Documentary about the German poet Erich Weinert.
Spring 1988: a cinematic chronicle of the small town of Zehdenick an der Havel in the Mark Brandenburg. Brickworks have determined the rhythm of life in Zehdenick for exactly 100 years. Seasoned brickmakers and young skilled workers speak frankly and critically about their working and living conditions and their futile efforts to improve them. The film is the first part of the Märkische Trilogie, which Volker Koepp shot "over the course of time about a brickworks in the small town of Zehdenick in the Mark Brandenburg. The very sensitively and atmospherically designed film was withheld by the GDR censors of the time. A depressing report about outdated production methods and disillusioned people."
The epilogue to the film "The Laughing Man" (1966), which alternates between objectivity and anger, exposes the involvement of the West German mercenary Siegfried Müller in the war against the Congolese government Lumumba. In the sequel, new witnesses against Major Müller have their say, including a former school friend and a French paratrooper colonel. GDR lawyer Kaul reports on the status of the criminal proceedings against Müller, while the final images show the war criminal feeding the ducks in South Africa.
The first Hirde Dyama National Festival of Culture of the Republic of Guinea was held in March 1970 in the country's capital city of Conakry. The film features many colorful and diverse performances and highlights the protection of traditional West African cultural traditions and art forms under President Ahmed Sékou Touré.
Started in the summer of 1961, even before the Wall was built, the film becomes an explanation after this historical event as to why things can no longer go on as they were before. Unmistakably, as in almost all of Karl Gass' films, the passion with which he treats his subject is unmistakable. If you want to get to know the zeitgeist of the historically significant year 1961, which on both sides knew more the Cold War vocabulary than factual arguments, you can see the Eastern variant in this propaganda film.
Sculptor Makolies is filmed working on a sculpture in the middle of a quarry in Swiss Saxony. The quarry workers go about their work around him. Both the work in the quarry and the work on the large figure in sandstone require strenght and conscientiousness. This film observers both types of work, without comparing them.
Volker Koepp revisits Zehdenick and Grüneberg, East Germany. People are struggling with the new political and economical conditions shortly before the German Reunification.
A short documentary about dealing with people in rent arrears.
A locomotive journey traversing the North to the South of the German Democratic Republic on the eve of its dissolution. Labourers, punks, mothers, intellectuals, young and old are implored to reflect on their life choices, the sacrifices they've made, and their place in the world. Despite everything, hope persists.
Agricultural scientist and mother Isolde struggles with the dicrepancies between her personal convictions and the political realities in East Germany.
Volker Koepp documents life in the Dorotheenstadt in Berlin-Mitte, which was called "Feuerland" in the 19th century.
This black and white documentary film reports from the Berlin Zoo, located in the Friedrichsfelde district of the Lichtenberg district, was opened in 1955 and is the largest landscape animal garden in Europe with an area of 160 hectares. With shots worth seeing, you can experience the animals in their enclosures and spacious free running areas. The film gets along completely without commentary and directs the concentrated view to hippos, parrots, camels, red deer, bison, llamas, kangaroos, rhinoceroses; lynxes, birds, leopards, tigers, lions, polar bears and crocodiles.
Sitting at her typewriter, listening to tango music, she dreams. Buenos Aires and Montevideo are far away, a different world where, long ago, the tango came into being. A dream about dance and music, as well as about unfulfilled desire and wanderlust behind the Berlin Wall.
An allegorical documentary about the workers of the world, whose common destinies and hopes for peace are symbolically united by the rivers that run through their respective lands. The film was shot on the Volga, the Mississippi, the Nile, the Yangtze, the Amazon and the Ganges and combines these images of five continents with the music of Dmitri Shostakovich and the poetry of both Bertolt Brecht and Paul Robeson.
Ribnitz-Damgarten, the jewel at the coast of the Baltic Sea, is located directly at the Saaler Bodden, between Stralsund and Rostock. The town and its surrounding area are made for vacationing. This documentary from 1989 also shows the other side, like, for example, how the increasing population density and the industrial production influence the ecological balance of the region. A community for the protection of the Bodden landscape is actively making an effort for conservation. At the institute for deep-sea fishery, research about the fish population is conducted, and agriculture as well is looking for solutions to preserve an intact environment.
A shunter's job is to slow down, link, and unlink train wagons at a central station. The film documents - without any commentary - the working hours of few shunters at the shunting-station Dresden-Friedrichstadt, which was the largest such station in all of the former German Democratic Republic. They work day and night, amidst snow and fog at the railway tracks, speaking only as much as necessary.
