The World Is Big and Salvation Lurks Around the Corner 2008
The story of Alex, who, with the help of his charismatic grandfather, embarks on a journey in search of his real self.
The story of Alex, who, with the help of his charismatic grandfather, embarks on a journey in search of his real self.
Where does the dividing line lie between insanity and supersensitive mentality? How should we treat people who act in a different way then we do? A young and gifted shrink sets up a group, using up-to-date and unknown methods. His idea is to socialize such people, to integrate them into a society they keep aloof from, and help them to survive.
Two trains uncontrollably move towards each other within temporal boundaries of a human life. One of them is taking a genial young man to his unforeseen future; he would marry his beloved; have a son; become a brilliant doctor; do his duty and save the live of enemies of the communist regime; get a 20-years sentence for that. Prison would turn out to be an unbearable nightmare; his wife would eventually give in to the tortures of the authorities and seek divorce; this would mean no one to visit him in prison. 15 years without any news about his child, only a snapshot of his family on which the tree of them are smiling and happy.
A military satire inspired by wild real-life events from the 1990s when, in the chaotic aftermath of the fall of communism, a task force comprised of high-ranking Bulgarian army officers and psychics embarked on a top-secret military operation in the small village of Tsarichina to dig up an elusive alien artifact that would change the course of history and make Bulgaria great again.
The story takes place in a dilapidated building in the blocks of New Belgrade, whose tenants constantly fight and do bad things to one another. In the same building lives a quiet and young married couple, who are completely different from their environment.
He is well educated, charming, and gallant - a dream for each lonely lady. In reality he is a skillful swindler, who robs naive women. Cheating merchants with guilty consciences are his targets as well. This is the elusive protagonist of the movie. He constantly changes his name, stages his own death, and travels from town to town. His exploits are myriad and his life is an endless adventure. Yet, he remains an amiable swindler, an unrealized actor, whose only goal is make his life more interesting.
This is a film about the fight against the terrible invincible enemy - the banality of life. Chekhovian provincial hopelessness will creep in, broken by sharp turns of Chaplin-esque humor. A bow to silent cinema and Chekhov.
The story largely centers on a grandfather who finds himself deeply depressed by the dramatic downward turns Bulgarian society has taken. The changes of the past half century have created a deep communications gap between generations and he is unable to communicate with his troubled son. Nor is the old man able to do much to help his grandson who is making his first forays into criminal life, blaming it all on his mother who admits she is incapable of loving him. The grandfather tires of life with the bleak family and so goes to an old folks home. But that proves repressive, so he and a couple of friends leave to enact a money-making scheme. When that fails, the old man finds himself alone and destitute on the rough streets of Sofia where his despairing eyes witness the further ruination of his homeland.
A former history teacher, currently a house painter is broke before the New Year. Faith meets him with the rich man, who wants his living room to be painted by 4 o'clock for a hefty pay. The father and his six children begin the heavy task with a song. When all is done, the rich man calls that he is going to pay the house painter on the 2nd of January. The father decides to celebrate New Year no matter what.
High in the mountains of Macedonia a team of young film makers are making a documentary about Katerina Vandeva - a descendant of an ancient and very famous family. Several former state and party functionaries interfere in the filmmaking in the hopes of manipulating Katerina's confessions for their own purposes. Nikola, the director, and his friends have to make the choice - whether to compromise with their consciences and their art, (as normally happens here in the Balkans), or whether to preserve Katerina's message.
Shooting of a picture: to those, familiar with only from the screen, it is a entertainment. So, in a quiet Sofia street, a shooting crew starts their work. Bypassing begin to throng, curious people are looking out of the windows of the surrounding buildings. A scene is being shot of s short dialogue between the protagonists. It goes wrong all the time and is never complete. The mess gets beyond the comical, the true relations between the members of grew show and they do not look that excellent. At long last, the final scene is shot and the street is quiet again.
Bulgaria, 1930s, small provincial town. Vyara Zadgorska returned to her hometown as a doctor after six years of study in France. Along the way she meets the landowner Assen Valchev, who is fascinated by her, but she is in love with someone else - the lawyer Kiril Donchev.
The trumpet player, Jonah, moves into the remains of his grandfather's house near where the treasure is hidden. In a tunnel under the house he finds a stone with a bird engraved on it and a map with an inscription in Arabic: "To have a house of gold, fall onto the sky and find the twin!" A copy of the same map brings Rumba and Emma to the same place. Rumba is Bulgarian and a passionate treasure-hunter. His wife is American and studies Bulgarian folklore as a way to fight globalization. Rumba wants to buy Jonah's property so he can find the treasure.
The meeting with Tatyana Lolova is about the time on the screen and on the stage - with her roles in the theater, about working with colleagues and about the love of the audience.
It is a story about a group of friends who live in a small seaport town. Their lifestyle is rigorous, their joys are simple and their sex life is raw. Their concepts of man's dignity, friendship and duty are wrong and primitive. The film helps us to understand and forgive them.
Three friends, Maro, Shpera and Yuri are unemployed and hardly make ends meet. They have complicated and hysterical relationships with the people closest to them. They seem to have emigrated from their families and their country. Provoked by a mysterious telephone call, they set out on a journey, filled with the hope to change their lives.
Nina is 12. Her mother, Nazca, who was laid off from the factory, finds work at a remote mountain dairy. Nina cannot continue her studies, but this is the only way to avoid repeating her mother's fate.
A film poem in four parts following the first four days after Algeria's independence in 1962. Footage of the nationwide celebrations is intercut with footage shot among the fighters of the Algerian Army of National Liberation, refugees exiled to the mountains of Tunisia and Morocco, and ordinary people from the towns and villages of Algeria.
Two very similar families are settling in two identical houses in a new fashionable neighborhood built near a complex of panel-apartment buildings. The couples are in their forties. The husbands are moderate professionals and the wives are housewives without children and with firmly fixed habits. Step by step they find out how similar they are and step by step they come to hate each other. The more they strive to be different and the more they fail, the stronger their malice and their lust to harm each other grow.