Howards End

Howards End 1992

7.03

A saga of class relations and changing times in an Edwardian England on the brink of modernity, the film centers on liberal Margaret Schlegel, who, along with her sister Helen, becomes involved with two couples: wealthy, conservative industrialist Henry Wilcox and his wife Ruth, and the downwardly mobile working-class Leonard Bast and his mistress Jackie.

1992

Maurice

Maurice 1987

7.60

After his lover rejects him, Maurice attempts to come to terms with his sexuality within the restrictiveness of Edwardian society.

1987

Hotel Splendide

Hotel Splendide 2000

5.60

The film tells the story of the Blanche family who run a dark and dismal health resort on a remote island which is only accessible by ferry. The spa program consists of feeding the guests seaweed and eel-based meals, then administering liberal colonic irrigation. The spa is run by the family matriarch Dame Blanche until her death. Things continue on with her children running the resort until Kath, the resort's former sous chef and love interest of one of the sons, comes back to the island unannounced. Stranded between monthly ferries, she is a catalyst for a series of events that turns life as it is known at Hotel Splendide on its ear.

2000

The Long Day Closes

The Long Day Closes 1992

7.23

Bud is a lonely and quiet boy whose moments of solace occur when he sits in rapture at the local cinema, watching towering and iconic figures on the movie screen. The movies give Bud the strength to get through another day as he deals with his oppressive school environment and his burgeoning homosexuality.

1992

The Fool

The Fool 1990

7.00

A costume drama / satire about financial skull-duggery, and confidence tricksters in both the upper and lower classes in Victorian London. A working class man impersonates a lord who is supposedly very rich and a financial wizard. As such he is invited to all the best peoples' parties.

1990

The Making of Sexy Beast

The Making of Sexy Beast 2001

1

A brief promotional featurette about the film including comments from most of the cast, as well as from director Jonathan Glazer.

2001