Hegewald Film
People in Need 1925
A Girl from the Reeperbahn 1930
Lighthouse keeper Uwe Bull lives with his wife Hanne and the silent assistant Jens in a secluded, small world. When the only survivor from a shipwreck, young Margot from Reeperbahn, is washed up on the island, Uwe's feelings arouses. But dark clouds appear in the sky.
Ehegeheimnisse 1927
The Prince's Child 1927
Based on the operetta of the same name.
The Stranger 1931
Frauenarzt Dr. Schäfer 1928
The respected gynecologist Prof. Hausen is averse to performing abortions. In contrast, his up-and-coming colleague Dr. Schäfer sees abortion as a means of helping women in need and openly advocates an amendment of the law. The professor’s convictions are shaken when misfortune befalls his own family. Louise Fleck presents her drama about the untimeliness of restrictive abortion legislation against the backdrop of modern urban reality. Seriousness, however, is preserved, because topics such as unwanted pregnancy, sexual violence, and the consequences of improperly performed abortions are not only addressed through minor characters, but also placed at the center of the cinematic narrative. (Anna Dobringer)
The Csikos Baroness 1930
Once I Loved a Girl in Vienna 1931
A musical about love that spans the period before and after the Great War in the Austro-Hungarian empire.
Schoeller's Boarding House 1930
Adaptation of a popular comedy: When the country uncle he has been bilking comes to town to visit, a young student takes him to a boarding house full of exaggerated eccentric characters.
The Right to Love 1930
With a script co-written by Weimar-era sexologist Magnus Hirschfeld, this enlightened drama deals with WWI soldiers who have become impotent due to wounds but still want to marry.
Crucified Girl 1929
The young student Mary spends the beginning of her holiday with boat trips, visits to her wealthy groom, and gardening. In fast-paced, rhythmic cuts, Louise and Jakob Fleck draw their audience into a carefree, urban romantic comedy. With a single scene, however, it turns into a melodrama about sexual violence, shame and perpetrator-victim reversal.
The stranger 1931
In a luxury hotel, a gathering of foreign high society people attend a wedding lunch. By the end of the feast a dramatic turn of events occurs : on the time of leaving the groom realizes that his newly married wife has... disappeared ! One morning, some time later, he meets her again at the Bois de Boulogne. She tells him everything about her strange attitude: she needed to be married to be able to have access to her husband's money. With this money, she managed to avenge her mother.
Fair Game 1928
Viennese hearts 1930
Einbruch im Bankhaus Reichenbach 1930
German crime film
Liebelei 1927
Film by Jacob and Luise Fleck.