Akito Kobayashi has always had an interest in the occult, and when he learns to control demons though the help of a computer program he created and magnetite, the essence of human life, he plans to unleash hell on earth. The only hinderance may lie within his old friend Kojiro Soma, who has the ability to stop the destruction, if he can find it within himself to do so.
Timeless: Live in Concert, recorded at her Las Vegas show on New Year's Eve 1999, takes as its subject the star herself. It opens with a dramatization of her first, amateur recording session, with young Lauren Frost playing a part described in the credits as "Young Girl," though Streisand later refers to her as "mini-me." Frost doesn't get too far before being joined by Streisand herself on a stirring version of "Something's Coming" from West Side Story. The rest of "Act One" traces Streisand's career from her club days to her movie performances. "Act Two" has less of a narrative structure, though it is equally autobiographical, with Streisand displaying and commenting on videos of herself performing with other stars and building up to the stroke of midnight with a combination of old, recent, and new specially written songs. At 57 that night, Streisand remains in good voice.
Since her '70s heyday as disco's reigning diva (and one of its most adventurous artists), Donna Summer has scored the odd hit: "She Works Hard for the Money," "This Time I Know It's for Real." She's still best remembered for the likes of "Last Dance," "Dim All the Lights," and "I Feel Love," though, and this VH1-tie-in comeback bid concentrates on full-bodied if somewhat murkily mixed versions of those classics and their kin. The two new studio cuts that round out the disc are OK at best, although they do display Summer's ability to adapt to changes in pop-dance sounds.
Fronted by one of the most accomplished banjo players of his time, Bela Fleck and the Flecktones are captured live in concert on Live at the Quick. The versatile band performs just over a dozen songs including such radically different compositions as "Amazing Grace," "Big Country," "Hoedown," and the prelude from a Bach violin concerto.
Live at the Boston Garden: April 5, 1968 is a concert film starring James Brown. Recorded at the Boston Garden by WGBH-TV the night after the assassination of Martin Luther King, Jr., it was broadcast live in an effort to quell potential riots in the city. The recording circulated as a bootleg before it was officially released on DVD by Shout! Factory in 2008 as part of the box set I Got the Feelin': James Brown in the '60s. It received a stand-alone release in 200
Twenty-five years ago, on September 25, 1993, beneath the golden glow of the Parthenon, a standing-room-only crowd assembled to witness a stunning spectacle of sight and sound. The majestic stone arches of the 2,000 year-old Herod Atticus Theater became the setting for the performance of a lifetime. The passionate crowd warmly embraced its native son, internationally-known composer and performer, Yanni, who was returning home after two decades in America. With Live at the Acropolis, Yanni delivered a heart-stopping, emotion-filled program of his timeless masterpieces brought to life by his innovative band. The concert captures Yanni at the height of his artistry. The most successful concert video of all time, the Yanni Live at the Acropolis 25th Anniversary Deluxe Edition Box Set is a must have for all Yanni fans.
Live performance from a group of celebrated string musicians, comprising cellist Yo-Yo Ma, fiddler Stuart Duncan, bassist Edgar Meyer and mandolist Chris Thile. The group, which came together to record the 2011 collaborative album 'The Goat Rodeo Sessions', is joined on stage by guest vocalist Aoife O'Donovan. The performance took place at the House of Blues in Boston in January 2012 and saw the talented musicians perform an eclectic setlist of material.
This was one of a series of concerts James Brown gave at the Apollo in Harlem in March 1968. This performance was broadcast on television as James Brown: Man To Man. In addition to 16 vintage color performances from the concert, this special also includes film of James Brown walking the streets of Harlem and Watts as he speaks to the state of Black America and describes the political and socioeconomic advances that need to be accomplished: “My flight is for Black American to become American.”—James Brown This concert is much a 1968 James Brown time capsule as it is a timeless representation of how music can change the world.
