The Golem

The Golem 1936

4.80

The Golem, a giant creature created out of clay by a rabbi, comes to life in a time of trouble to protect the Jews of Prague from persecution.

1936

Before Graduation

Before Graduation 1932

1

The story of high school students, talented Jan and Karel, who has a problem with math. Their life affects pedantic professor of mathematics Klec, that goes with them on a school trip, which escalates the conflict between them. Jan wants to escape, but Professor Donat will discourage him. Karel fails the exam of mathematics and decides to commit suicide.

1932

Volga in Flames

Volga in Flames 1934

5.90

Lieutenant Orloff, a recently graduated Russian officier, is making his way across the snow-covered steppes to the garrison where he is to be stationed. He comes across a man who has lost his way in the blizzard and takes him to the safety of an inn. Arriving at the garrison, Orloff meets and falls immediately in love with Macha, the daughter of his commander. The town is suddenly attacked by a hoard of bandits who claims to be the true Tsar of Russia.

1934

On the Sunnyside

On the Sunnyside 1933

5.00

A story of two story of two children tossed between their indifferent parents and a progressive boarding school.

1933

Men on the Offsides

Men on the Offsides 1931

6.50

The owner of the ready-to-wear store, Mr. Richard Naceradec from Zizkov, is an enthusiastic fan of S.K. Slavia and despite his wife's opposition, he goes to football every Sunday. Tailor Emanuel Habásko lives alone with his adult son Eman. Widow Ouholicková chases Krejcí endlessly, but father Habásko bravely resists. Habásko do not recognize any other club except S.K. Viktoria. One day, Naceradec will face Eman at the match between Slavia and Viktoria.

1931

The World Belongs to Us

The World Belongs to Us 1937

6.80

One of the few European films of the 30s to criticize the Nazis, even if they couldn't be directly named due to censorship: Gangsters with gray hats stir up trouble in what is obviously the Sudetenland.

1937

From Saturday to Sunday

From Saturday to Sunday 1931

6.60

Two secretaries go out on a double date, but the inexperienced Mary flees when offered money for sexual favors. She takes refuge in a cafe and encounters a plebeian Prince Charming. The film recounts the simple progress of their romance after they go home together.

1931

Morality Above All Else

Morality Above All Else 1937

8.00

Professor Karas is widely known as enthusiastic propagator of the motto "Morality Above All Else". He guides his students as well as his own family to live a morally decent life. One day he has an unexpected visit. It's his illegitimate daughter Vera, who is proof of his thoughtless youth. Mr. Karas know that she can ruin his image, thus he decides to keep her a secret and asks her to leave. Instead of leaving she takes a position of a governess in his own family without letting him know. Mr. Karas realizes that he must reveal the truth sooner or later, but he doesn't have enough courage to do so. As he postpones it, he is more and more scared to come to his own home.

1937

Kristian

Kristian 1939

7.30

Alois Novák (Oldrich Nový), a minor clerk in a travel agency and the husband of a dowdy housewife Marenka (Natasa Gollová), lives a run-of-the-mill, dull life. In his soul, however, there resides an inextinguishable desire for adventure. And so once a month he poses as a playboy. As the mysterious and wealthy Mr. Kristian he goes to the exclusive Orient Bar where he does not skimp on generous tips and where he platonic-ally seduces beautiful and elegant women. In the salon he speaks of love and the magnificence of exotic lands, which he has supposedly come to know on his wanderings abroad. In reality he has read all of this in the travel agency's brochures.

1939

The Illusion Factory

The Illusion Factory 1938

9.00

In this reportage, film professionals offer the viewers a peek behind the scenes at the Barrandov studios. We see how sets are constructed and we find out what sorts of things are stored in the prop department. The friendly commentary describes the journey from camera negatives to a film on the big screen. We learn about film technology and take a glance into film laboratories and editing rooms. The film also presents unique footage from the filming of The White Disease, namely the dramatic scene with five hundred extras in which the Marshal announces his declaration of war.

1938