Greek Film Centre

In a dystopian near future, single people, according to the laws of The City, are taken to The Hotel, where they are obliged to find a romantic partner in forty-five days or are transformed into animals and sent off into The Woods.

Three teenagers are confined to an isolated country estate that could very well be on another planet. The trio spend their days listening to endless homemade tapes that teach them a whole new vocabulary. Any word that comes from beyond their family abode is instantly assigned a new meaning. Hence 'the sea' refers to a large armchair and 'zombies' are little yellow flowers. Having invented a brother whom they claim to have ostracized for his disobedience, the uber-controlling parents terrorize their offspring into submission.

On a hot summer day in Oslo, the dead mysteriously awaken, and three families are thrown into chaos when their deceased loved ones come back to them. Who are they, and what do they want?

On the day of her birthday, eleven-year-old Angeliki jumps off the balcony and falls to her death with a smile on her face. While the police and Social Services try to discover the reason for this apparent suicide, Angeliki's family keep insisting that it was an accident. What is the secret that young Angeliki took with her? Why does her family persist in trying to "forget" her and to move on with its life?

"A Touch of Spice" is a story about Fanis, a young Greek boy growing up in Istanbul, whose grandfather, a culinary philosopher and mentor, teaches him that both food and life require a little salt to give them flavor. They both require... A Touch of Spice. Fanis grows up to become an excellent cook and uses his cooking skills to spice up the lives of those around him. 35 years later he leaves Athens and travels back to his birthplace of Istanbul to reunite with his grandfather and his first love. He travels back only to realize that he forgot to put a little bit of spice in his own life.

Famous writer Alexander contracts a terminal illness. He receives a letter from his wife describing a summer day 30 years ago, and leaves his seaside home to remember his past. This journey will allow him to wander between the past and the present, and encounter unexpected people, allowing him to collect unforgettable memories in the final moments of his life.

Two Greek children embark on a journey to search for their father, who supposedly lives in Germany.

Revenge is a recurrent theme in thrillers, usually dispensed by action heroes with a well-stocked arsenal. But in Yorgos Tsemberopoulos’s nuanced moral maze the protagonist is the bookish Kostas (Manolis Mavromatakis), a suburban florist well versed in social and political theory, which he discusses at length with a local publican. But when his home is invaded by masked hoodlums, who bind his family and rape his teenage daughter, our everyman hero finds his intellectual stance untenable. Encouraged by his paranoid, militarist neighbour, Kostas decides to take the law into his own hands, and in doing so begins to understand – for the first time – the world he has been living in. The vigilante movie is a well-explored genre too, but Tsemberopoulos gives it a whole new urgency, subverting the cliched right-wing fantasy structure and seeing it through the eyes of a man who comes to find his real self while trying to live up to the (imagined) expectations of others. (Source: LFF programme)

An exiled filmmaker finally returns to his home country where former mysteries and afflictions of his early life come back to haunt him once more.

Singapore Sling is chasing after Laura, a romantic memory from his past. One night he finds himself in a mysterious villa, watching two women bury a body. He falls into their trap and, in an atmosphere of isolation and decadence, the trio act out insane pleasure games and a ritual of blood and murder.

A group of young boys must decide whether to buy a TV set to watch the launch of Apollo 11 or visit Uranya to learn about the secrets of love.

The first part of an incomplete trilogy telling the story of the greek people. The film begins in 1919, with Greek immigrants from Odessa arriving near Thessaloniki. Led by the charismatic Spyros, they establish a new settlement in the delta of a river. The youngest of the settlers are Spyros' son Alexis and an orphan from Odessa, Eleni. A strong, almost incestuous affection develops between the teenagers, resulting in twins who are given to a foster family. Also standing in the way of love is Spyros, determined to take his foster daughter as his wife. The lovers then decide to flee the village, persecuted by their father, leading a life of exile. As Alexis joins a group of musicians planning to go to the United States, Eleni regains custody of the twins. Angelopoulos, as in previous films, looks at the sacrifice of civilians confronted by the workers' demonstrations of 1935, the rule of Metaxas' fascist junta and forced emigration to America, and finally the civil war of 1944-1949.

Marina, 23, is growing up with her architect father in a prototype factory town by the sea. Finding the human species strange and repellent, she keeps her distance...that is until a stranger comes to town and challenges her to a foosball duel, on her own table. Her father, meanwhile, ritualistically prepares for his exit from the 20th century, which he considers to be "overrated."

Bekir loves Uğur, who loves Zagor, who is about to get out of jail. An already tense love triangle is thrown into turmoil on a hot summer night, when Zagor kills someone, and Uğur disappears.

A young woman of about 17 years old, named Meryem (Ozgu Namal), has been raped, and her village's customs call for her to be killed to restore honor and dignity to her family and village. The eldest son of the village leader, Cemal (Murat Han), is ordered to take Meryem to Istanbul and kill her, but at the last minute he cannot complete the task.

Following the wedding of his daughter, stone-faced beekeeper Spyros makes an annual journey from the north of Greece to the south, traveling along with his hives. En route, he meets an erratic, young female drifter, with whom he strikes up an unusual, self-destructive relationship.

The Greek army is about to set sail to a great battle, but the winds refuse to blow. Their leader, King Agamemnon, seeks to provide better food, but accidentally slays a sacred deer. His punishment from the gods, the sacrifice of his daughter Iphigenia.

An old communist returning to Greece after 32 years in the Soviet Union is disillusioned with the state of things.

An adulterous woman and her lover plot to murder her husband Kostas and make it look like a yachting accident. However, unknown to them, Kostas has hired a private detective to follow them and knows of their plans in advance. A deadly game of double-crossing begins and propels all three of them towards tragedy.

The film is the story of a group of soldiers, who, in the course of their compulsory military service in 1967 and 1968, before and during the military dictatorship in Greece, are assigned to the then recently founded Armed Forces Television. This TV station, founded for the civilian population, was run by the Cinematographic Unit of the army which until then had only produced propaganda films and newsreels and was responsible for entertaining the troops and other charity organizations with movie screenings. The personnel was composed mostly of soldiers, who already had experience in the film business in their civilian lives, as well as those who received their training in the army. The story may be only 95% true, but that is simply because the true story is even more absurd...