40 international directors were asked to make a short film using the original Cinematographe invented by the Lumière Brothers, working under conditions similar to those of 1895. There were three rules: (1) The film could be no longer than 52 seconds, (2) no synchronized sound was permitted, and (3) no more than three takes.
A fascinating insight into the role of the intimacy co-ordinator, told through behind-the-scenes access to new queer French TV show Split.
Jeanne Poisson, the headstrong, ambitious, witty and erudite, catches the eye and heart of French King Louis XV at a costumed ball. She masters the art of seduction well enough to become accepted even by the Queen, corpulent mother of ten. As a sensibly chosen Royal 'favorite' mistress she is soon ennobled Marquise of Pompadour to facilitate her introduction at court. The immature dauphin (crown prince) proves a bitter and unrelenting enemy, joined by his imposed Saxon bride, and his sister at her deathbed. Although friends at court help Pompadour return, her health gives way.
What happened in France just after WWII, between 1945 and 1949? An interesting historic documentary looks at the fate of male and female (presumed) collaborators with the Nazis, the use of the POW in the reconstruction of the plundered and devastated country.
This was a very human account of the lives and deaths of Marie Antoinette and Louis the XVI focusing primarily on Marie. It is an account of their lives from birth to death and the circumstances leading to the downfall of the French monarchy.
Thirteen European directors explore the theme of Sarajevo; what this city has represented in European history over the past hundred years, and what Sarajevo stands for today in Europe. These eminent filmmakers of different generations and origins offer exceptional singular styles and visions.
Nadia is a 45 year old female professor at the University of Tunis. She is married and has a daughter of 18, Sarra. For some time, Nadia has problems in her marriage also symptoms of menopause are inseparable. The physical and psychological state deteriorates inexorably Nadia.
A old red riding hood, badly crippled after killing a monster many years ago, comes up with a sinister plan to dance again.
A genius inventor of forms, Alain Resnais is one of the fathers of cinematic modernity. This portrait, rich in archives, looks back on the career of a discreet non-conformist, in perpetual search of renewal to fight against anxiety.
Portugal managed to get through all of World War II without firing a single shot. Caught in a vise between the Axis and the Allies, Antonio Salazar, the country’s strongman, used every trick in the book to get his country through unscathed. In this war of nerves in which anything went, the Portuguese dictator took brilliant advantage of the only weapon available to maintain his country’s independence: neutrality.
In January 1960, Yves Montand and Simone Signoret, one of the most famous star couples of the day, were on tour in the United States. Yves Montand had just triumphed on the country's biggest stages. Simone Signoret, who had distinguished herself in "Room at the Top", was about to win an Oscar. It was then that they met Arthur Miller, a writer and playwright but above all, at the time, the husband of Marilyn Monroe, a world star at the height of her fame and beauty. Yves Montand and Marilyn Monroe fell in love and the actress did everything she could to make a film with the Frenchman. This is how they met on the set of the film "Let's Make Love".
In a totalitarian future, in a nightmare metropolis, inhabited only by criminals and police, Erik Lonnrot, a gifted detective, investigates a series of strange murders and disappearances that seem to implicate a insane crime lord. (Re-released in 1996 as a feature film, 86 minutes.)
A pioneering post-war female film director, an instigator of the New Wave who was honored by Hollywood in her own lifetime, Agnès Varda has become a source of inspiration for a whole new generation of young filmmakers. With movies like Cléo de 5 à 7, Le Bonheur, Sans toit ni loi, Les Glaneurs et la glaneuse, she created a quirky, open to the world, sensitive to the disenfranchised, often silly body of work. Always one finger on the pulse, she shook everything up, including cinema itself which she refused to constrict to pure fiction or long-form films.
In Iasi, Romania, from June 28 to July 6, 1941, nearly 15 000 Jews were murdered in the course of a horrifying pogrom. At the time, the programmed extermination of European Jews had not yet began. After the war, the successive communist governments did all they could to ensure the Iasi pogrom would be forgotten. It was not until November of 2004 that Romania recognized for the first time its direct responsibility in the pogrom. All that remains of this massacre are about a hundred photographs taken as souvenirs by german and romanian soldiers, and a few remaining survivors.
In eight films, Jacques Audiard has renewed French cinema, without alienating either the critics or the success. It is only at the age of 42 that he starts directing, after having been an editor and a scriptwriter. In 1994, he directed his first film, "Regarde les hommes tomber", whose conflicting shooting was an ordeal for this misanthropic beginner. It was with "Sur mes lèvres", in 2001, that he forged his cinematographic language: contained lyricism, deliberate imperfection of images, ellipses plunging the audience into a maelstrom of sensations. With each of his films, Jacques Audiard intends to renew himself, at the cost of challenges and doubts always more vivid.
For the past fifteen years, the acceleration of technological progress has lead to unthinkable feats. Allowing amputees to walk again thanks to a bionic prosthesis or having a job interview with a robot is no longer science fiction. Technology is everywhere. It governs our social interactions and even intrudes into our bodies. But how far are we willing to let our machines go? It is this recurring issue, at the origin of many utopian works, that is addressed in this movie by Philippe Borrel.
Recent scandals have revealed the brutal methods often imposed on young top athletes. Fueled by numerous testimonies, this damning investigation reveals the workings of a system which sacrifices children in the name of economic interests and glory.
