Freak and Jajà, like Vladimir and Estragon, are in a no man’s land, with no date or time. Earth is no longer inhabited by humans but a few strange survivors who appear from time to time. The two protagonists, strangers to each other, meet at a bus stop in the middle of nowhere.
Arriving on a deserted beach in the Mediterranean sea, in a time and a place unspecified, Kaspar Hauser is forced to confront the evil of a Grand Duchess who feels threatened by the power she exercises over the community.
In the 19th century, children -- particularly the children of the poor -- were considered to be an exploitable resource of docile and cheap labor. Anyone who had the effrontery to steal so much as a portion of a loaf of bread for any reason would (at the very least) go to prison, regardless of their age. However, people of conscience were beginning to protest against this situation. The story takes place in a prison for children where conditions are particularly harsh. The warden is a thick-headed martinet who demands complete compliance with the rules, or the children will be brutally dealt with. The assistant warden is a more modern man, and is appalled by the whole institution, but seeks to begin by reforming it. To that end, he has invited a journalist to come and see the conditions that prevail there, in the hopes that she will rouse public opinion against at least this one form of injustice.
In the beginning of the Second World War, Germans, Austrians and persons without nationality living in France are sent to the concentration camp of Les Milles by France government. Commander Charles Perrochon is the responsible for this camp and he promises to the leaders of the prisoners to protect them from the Nazis. When France is invaded by the Germans, Commander Perronchon will disobey orders and his superiors trying to save these men. He gets a train, a ship and money from USA to send about eight hundred of these prisoners to the safety of Casablanca, in Marrocos.
A French-Greek co-production, filmed in Paris, in which the forty-year-old Maxim is released from prison after five years in prison. As he tries to adjust to life on the outside, he accidentally meets a Parisian taxi-driver who commits suicide right before his eyes. Without a pause he takes the dead cabbie's place behind the wheel and starts making the rounds of the city, transporting passengers (Jean-Pierre Léaud plays the role of a client who recites Cavafy throughout the entire ride). He feels the air of freedom, a lord of Paris and master of himself, up to the moment that he meets young Anies, and his life falls into new paths. In the end, he takes off, destination unknown.
Early 1960s Haiti during 'Papa Doc' Duvalier's dictatorship seen through the eyes of a young girl whose family has suffered heavily.
In 14th-century France, Aliénor breaks with the codes governing girls’ behavior and does as she wishes. The King of France grants her the hand of her childhood love, but her new husband deserts her immediately after the ceremony. Undeterred, she sets out after him, traveling to Siena to bring him back.
Emile, his wife Fanta and their four children lead a comfortable existence. Jean, the eldest son, is interested only in music to his father's regret. One day Jean is sent away from home because of it...
