Art & Popcorn

Croatia, seven years after bankruptcy. There is a fight going on in the world - water has become more precious than oil. In order to get hold of it, the powerful are ready to start wars, conquer, destroy, and even plant a zombie-virus. Mico, a bon viveur from Zagreb, whose daily routine includes massage parlours, restaurants and cinemas, where he watches a movie series featuring his favorite actress Franka Anic, is caught completely off guard by the zombie-epidemics. Nevertheless, he boldly embarks on an Odyssey accompanied by his movie heroine, with one highly unattainable, goal: to survive.

The movie is based on the fascinating, true story of a feral boy whom hunters found among wolves in a forest in the mountains of Bosnia-Herzegovina (BiH) in the mid-1980s. The boy was sent to the institution for children in an attempt to socialize him and got the Muslim name – Haris. Contrary to most predictions, he was developing and making friends quickly. When the war in BiH broke out in 1992, Haris got the letter from local Bosnian authorities which asked for his immediate return. Upon returning to BiH, he had nowhere to go. While wandering aimlessly, he came across a group of soldiers that gave him a gun and took him with them

Bosnia and Herzegovina, 1991. After the fall of the communists, Divko Buntić, who has lived in exile in Germany for the past twenty years, returns to the village where he grew up, intent on reclaiming ownership of his family home, driving a swanky Mercedes and accompanied by his young bride; by Bonny, his lucky black cat; and with pockets full of money.

In 1958, during the Cold War, two scientists, two worlds, and two ideologies faced a race for survival at the Vinca Scientific Institute near Belgrade.

Through the conversation with Yugoslav film authors and excerpts from their films, this documentary film tells a story of a film phenomenon and censorship, and its focus is, in fact, a painful epoch of Yugoslav film called “a Black Wave”, which was the most important and artistically strongest period of Yugoslav film industry, created in the sixties and buried in the early seventies by means of ideological and political decisions. The film tells a great “thriller” story of the ideological madness which characterised the totalitarian psychology having left multiple consequences felt up to our very days. It stresses similarities between totalitarian regimes defending their taboos on the example of the persecution of the most important Yugoslav film authors. Those film authors have, however, made world careers and inspired many later authors. The film is the beginning of a debt pay-off to the most significant Yugoslav film authors.

This is a modern age romantic comedy about the trials to find the right person, in four very different love stories. Initially, Stefan, a young overbearing Belgrade driver who does not believe in anyone or anything, falls in love with Sylvie, French singer, which controlled herself for too long, and now is on the verge of a nervous breakdown and for the first time she will do all that she has always dreaming of. Melita, a frustrated middle-aged woman, who by day works as an organizer of the concert evenings becomes disappointed because her lover, Brian, an American diplomat, in fact, is not the guy that he say he is.

The introvert Russian girl Nadia goes on holiday to Belgrade, inhabited by extrovert Serbians. She lives according to a plan, while the Belgraders live for joy. At first, Nadia is involved with the local guy Nesha, and then with his relaxed, semi-vagrant way of life. She takes the impulsive decision to give up her dull job and Moscow for the sake of love, freedom and Belgrade. Both this love, and this freedom must undergo the test of reality, which is always more difficult than our expectations.

Police officer Harry Österreich is a first responder at a traffic accident. Despite his best efforts, an entire family dies at the scene. Harry is shaken by the experience and increasingly obsessed by the fate of the extinguished family.

Anica lives in New Belgrade, a miserable district of tower blocks and concrete. She is mistress to Milutin, a wealthly local criminal who owns a solarium and runs a protection racket. Anica is determined not to grow old in this dump where neither love nor life seems to offer her a decent future. One grey winter’s day Anica has an idea to steal money from Milutin’s safe, get on a plane and leave the country forever.

Strahinja and his wife Ababuo left Ghana with a dream of a better life in Europe. Instead of reaching the western part of the continent, they were deported back to Serbia. Strahinja has started to build himself a career, while Ababuo is unable to fulfil her ambitions and she feels increasingly frustrated. When she disappears one day, Strahinja sets out to find her… A crystal clear, humanistic story about the need to find one’s place in the world. It’s also a tale of love, the most profound testimony of which might also be the most painful.

A warm tale of friendship forged between a lonely boy Agi and an elderly lady Ema. Abandoned by everyone, these two outcast manage to unite and overcome harsh reality.

UNIVERSALOVE is a global love story. Six episodes in six different places of the world are told in a symbiosis of modern story-telling and popular music. UNIVERSALOVE is an experiment - a global love story. The interwoven storylines are located in Brooklyn, Rio de Janeiro, Tokyo, Belgrade, Marseille and Luxembourg. The laconic narrative style captures moments that set the viewer on a journey around the globe and deep into the emotional worlds of very different characters affiliated with different cultural spheres and languages.

A story of a Jewish-Hungarian-Serbian family. The plot is centered about trying of an adult son to reconstruct his childhood dream of and memories. Looms, but a sunken world, the central European town with its figures, the way to experiencing deep and see a sensitive boy, his father, who by their fears that penetrate to the bone and the final humiliation of acting madness escapes and becomes a lonely, pathetic buffoon in the drama of life.

A young woman works at a textil factory, where she secretly hides her daughter. After defending a young co- worker from the supervisor, she puts herself in danger.

Milan is ex-piano teacher. One day, he walks through the park, and he makes a sepcial kind of friendship with one dog. This friendship will decide fate of more then 20 people.

What is Man? “Homo” shows six faces, six phases in cleverly- connected, blackly comic episodes as desperate characters meet unwittingly in a modern metropole in the eternal search for the means to survive, and find some kind of love. The jobless graduate becomes a grave digger, the grieving widow a nun, the priests gamble and gangsters rule the courts. Only the lonely child may find some affection when hope springs eternal.

Australian writer Wongar lives a secluded life taking care of his 6 dingoes for which he believes embody the spirits of his tragically lost Aboriginal family.

Summer 1994. Berlusconi has come into power and 16-year-old Elena, listening to Nirvana and starting to develop a political consciousness, can't wait to bring him down. Unfortunately her parents have other plans and, like every year, they head to the same boring summer camp. This year however they're all in for a surprise...

Zelimir Zilnik has always been discussing the communist's regime taboos , with his early documentaries , but especially with his film about the student's riots in 1968: Lipanjska gibanja (June Turmoil). His featured film Rani radovi (Early Works) got to trial, because it made important politicians, including Tito himself, very angry. However, it was free of all charges, thanks to the really honorable judge. The Golden Bear, the prime award of the Berlin Film Festival, was given to Zelimir and it was interpreted as the biggest provocation for socialist Yugoslavia. Therefore, the film was put away for years and was not available for the audience.