Igama elingundoqo Museum

The Last Templar is a four-hour Canadian miniseries, based on the 2005 novel The Last Templar, which aired in the U.S. on January 25 and 26, 2009, starring Mira Sorvino, Scott Foley, Victor Garber, Anthony Lemke, Kenneth Welsh, Danny Blanco Hall and Omar Sharif. The miniseries is produced by Muse Entertainment Enterprises. Emmy Award-winning Robert Halmi Sr., along with Robert Halmi Jr., and Michael Prupas are the executive producers.

Dive into the field of natural science, Discover the Solar System or the various functions of the human body. The information is presented in the "Eyewitness Museum", a computer-generated science museum. Various exhibits are shown, and stock video footage is usually seen through large windows or other depressions in the wall.

Don Wildman unearths relics from the world's greatest institutions to reveal secrets from the past. He examines each artifact to illuminate history's most incredible triumphs, sensational crimes and bizarre encounters.

Mummies Alive! is an American animated series from DIC Entertainment. It originally aired for one season in 1997. In ancient Egypt, an evil sorcerer named Scarab, kills the pharaoh's son, Prince Rapses, so he can become immortal. Entombed alive for his crime, Scarab revives in the modern world and begins his search for Rapses' reincarnation, a San Francisco-dwelling boy named Presley Carnovan to retrieve the spirit of Rapses' so he can become immortal. Rapses' bodyguards, Ja-Kal, Rath, Armon, and Nefer-Tina, along with Rapses' cat, Kahti, awake from the dead to protect him from Scarab. They use the power of Ra to transform into powerful guardians. Each of the mummies is aligned with the power of an Egyptian god. Ja-Kal uses the spirit of falcon, Rath uses the spirit of snake, Armon uses the spirit of ram, and Nefer-Tina uses the spirit of cat. They are able to call upon it for magical armor and powers to fight superhuman evildoers. Although, once their strength is exhausted, they must rest in their sarcophagi to regain the ability. In order to access these powers, the mummies call out the phrase "With the Strength of Ra!", which triggers their transformation. The mummies also have the power to make a horrifying face, usually used to scare away nosy bystanders.

Dome, a barista at a café on the verge of closure, receives an unexpected job offer. The offer comes from a café regular, Khatha, who orders coffee he never drinks. The job is at an odd museum open only after sunset. With few choices, Dome accepts Khatha's offer. On his first day, an employee tells him the museum is haunted. Forbidden by the overseer from entering Zone 16, Dome is tempted inside. Khatha attempts to contain the damage, but Dome has unintentionally awakened things and nearly everything inside manages to slip out. Dome takes responsibility and, with Khatha, attempts to hunt down what went missing in order to return them to where they belong.

Unique arts series venturing behind the scenes at the world famous museum of art, design and performance, the V&A.

With roots in Mexican history and folklore, it is based on the mummies of Guanajuato, one of the most fascinating collections in the world. The series follows a group of teenagers from Guanajuato, who represent the only hope for their people to survive when the renowned mummies are resurrected during the Cervantino Festival, the busiest week of the year.

Andy works at the National Museum in the Dinosaur Gallery with Hatty. After part of an exhibit is damaged or needs replacing, Andy travels back in time to age of Dinosaurs using the Old Museum Clock to find a replacement piece. He encounters many Dinosaurs and other creatures that lived at the same time.

Museum Secrets is a TV series on History Television in Canada and a website with videos and games

Monster Squad is a television series that aired Saturday mornings on NBC from 1976-1977 that is unrelated to the later movie of the same name. The series stars Fred Grandy as Walt, a criminology student working as a night watchman at "Fred's Wax Museum". To pass the time, Walt built a prototype "Crime Computer" hidden in a large stone sarcophagus near an exhibit of legendary monsters. When Walt plugged in his computer, "oscillating vibrations" brought to life the wax statues of Dracula, the Wolfman who here was named "Bruce W. Wolf", and Frankenstein's Monster who was referred to as "Frank N. Stein" in the credits. The monsters, wanting to make up for the misdeeds of their pasts, became superhero crimefighters who used their unique abilities to challenge and defeat various supervillains. In most episodes, Walt would send the monsters out to investigate crimes and fight the villains while monitoring the activities from the wax museum via the Crime Computer, presumably because his job required him to be at the wax museum at all times. However, Walt would sometimes join the climactic battle with his comrades in some episodes and come to the rescue when needed.

A documentary that explores the dim world of illicit trade in antiquities, as well as the long and hard struggle for the repatriation of all stolen treasures.

Nine security guards from the Museu Nacional de Arte Antiga, in Lisbon, invite us to appreciate works of their choice from the Museum's permanent exhibition, in a presentation that crosses art, everyday life and biography.

Series that explores national museum collections at a time of enforced closure.

Whether it's the famous steps of the Titanic or the legendary lunar landing of Apollo 13, there is no museum exhibit that the expert builders at Creative Arts Unlimited, Inc. can't re-create. Viewers will follow these highly skilled craftsmen as they use their expertise to meticulously rebuild history in museums across the nation. Led by Roger Barganier (co-founder, president and creative director), the team at Creative Arts Unlimited, approach each build with a determination to tell a story. Every exhibit that is produced by the Museum Men is engaging, informative, and historically accurate. No detail is overlooked, because for Creative Arts authenticity is everything. In addition to building for museums, Creative Arts also re-creates items for private collections. But whoever the recipient may be, every build poses unique challenges, including hard-to-find research, demanding schedules, and obsolete methods of construction.