Year 1907

A group of travellers go into a house for protection. Little do they know, it is filled with ghosts who make unusual things happen to them.

In this film, Méliès concocts a combination fairy- and morality tale about the foolishness of trying to look too deeply into the workings of an unstable and inscrutable universe. At a medieval school, an old astronomer begins to teach a class of young men, all armed with telescopes, about the art of scrutinising an imminent eclipse. When a mechanical clock strikes twelve, all the young men rush to the windows and fix their telescopes on the heavens.

During the Paris Commune, a boy runs across trouble at the barricade.

A pig dressed in fancy clothes flirts with a pretty girl, but she humiliates him and tears off his suit; she then makes him dance for her affections.

The film, a parody of the novel Twenty Thousand Leagues Under the Sea by Jules Verne, follows a fisherman, Yves, who dreams of traveling by submarine to the bottom of the ocean, where he encounters both realistic and fanciful sea creatures, including a chorus of naiads played by dancers from the Théâtre du Châtelet. Méliès's design for the film includes cut-out sea animals patterned after Alphonse de Neuville's illustrations for Verne's novel.

A demonic magician attempts to perform his act in a strange grotto, but is confronted by a Good Spirit who opposes him.

A combination of the story of Goldlocks and the Three Bears with the true story of how Teddy Roosevelt spared a bear cub after killing its mother while hunting, an event which led to the popularization of the teddy bear. Goldilocks goes to sleep in the bears' home after watching six teddy bears dance and do acrobatics, viewing them through a knothole in the wall. When she is awoken by the returning bear family, they give chase through the woods, but she runs to the aid of the Old Rough Rider, who saves her.

A traveler stays the night at a rural inn, but gets no rest as he is tormented by various spectres and mysterious happenings.

A family troupe of acrobats, made up to appear Japanese, perform various unbelievable stunts in front of the camera, achieved through a trick of the camera.

A boy in a cadet's uniform paints a statement on the top of the frame and then tips his cap to the audience. Also known as "Matsumoto fragment".

A mix of spectacle, animation and dance, the film reveals an early delight in the potential for creative fun with film form. Its director, Walter R. Booth had been described as making British films which attempted to out-Méliès Méliès.

A magician is surprised when he attempts to transform a beetle.

A piano entices anyone who comes near.

The first adaptation of Lew Wallace's novel, Ben-Hur: A Tale of the Christ.

A dog runs away with a length of sausage. Chaos erupts as the butcher chasing the dog collides with bystanders who angrily follow.

This short film consists of a crazy old colonel being asked to entertain party guests about his exploits of daring. However, being a totally insane old coot, he runs amok acting out his war-time heroics--smashing and throwing everything in the room!

The opening title card explains that a painter has just finished his work when his assistant comes in and accidentally drinks varnish. The film then picks up as the painter goes haywire and sends the assistant into the painting.

As an older man and a youth are eating at the table, the older man decides to amuse himself by using pepper to make the boy sneeze. Later, the boy retaliates by sneaking into the older man's room and putting pepper in his handkerchief, hairbrush, and clothing. But things quickly get out of hand when the sneezing that results begins to disrupt the whole town.

A boy spreads glue all over town.

A rich man rewards a tramp for defending him from muggers with a large sum of money in the form of a single bank note. Nobody can cash the big bill the tramp is carrying and hilarity ensues.