Gordon’s film Picture Window, directed together with Manuela Dalle, was inspired by Chantal Akerman’s film “Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles”. This reverent nod to what some refer to as “the greatest film of all time” stars Gordon herself, going about her day.
Gordon walks around wielding her guitar over the wreckage like some almighty angle grinder.
Like a hand-held electric sander Gordon’s guitar touches, rubs against and glides over the everyday objects of the city. Largely ignored by the passing crowd Gordon moves like an alien, using sound to examine and interpret place and time as perhaps only an outsider, arguably Gordon’s artistic leitmotif, can do.
Gordon, with Eleanor Erdman, delivers a brilliant and blistering assault of distorted guitar noise. The two of them gyrate on a stage barely more than a few square metres in size. Across three screens the camerawork feels as claustrophobic as the stage looks.
